Series consists of five correspondence files addressing a variety of administrative concerns. Much of the correspondence is written to or from Gordon Peacock, in his capacity as Associate Professor of Drama. The series also includes annual reports and interdepartmental memorandums. Correspondents also include significant theatre personalities including H.G. Glyde and Betty Mitchell. The series title is based on the content of the records.
Без названияThe items in this series provide a sample of the set designs and plans and costume designs created for Studio Theatre productions. Only a small proportion of the Studio Theatre productions are represented in this series, although the representation is increased if the production books plans and designs are considered.
The items are arranged as:
- Costume designs
- Set designs
- Set plans
The order is chronological by production date. The costume designs are hand drawn and coloured and usually identified by the name of the character. Set designs, like costume designs, are hand drawn and coloured. The set plans include details on set elevations, prop placement, and stage dimenions. Designs are fragile and composed on low grade paper. Many are over sized and stored seperately.
Series consists of records documenting the technical, operative, and administrative activities of Studio Theatre productions. Records include programs, news clippings, and promotion material. The more recent files contain more records including background production research notes, financial records, and correspondence. A production file was maintained for each production. Title based on content of the files. photographs and oversize items were removed from the files and stored separately; news clippings were photocopied on to acid neutral paper and the original clippings removed. The files are maintained in chronological order by date of production.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of A Month in the Country.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of A Streetcar Named Desire.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Amphitryon.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Antingone
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Barefoot in Athens.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Bonds of Interest.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Bonjour, la Bonjour.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Buried Child.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Camino Real.
Без названияSub-series consists of records documenting the production of the University of Alberta Studio Theatre's production of Caesar and Cleopatra.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Come Back to the Five and Dime Jimmy Dean, Jimmy Dean
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Crimes of the Heart.
Без названияThe sub-sub-serires consists of photographs, posters, set designs and other graphic material created in the production and recording of the University of Alberta Studio Theatre production of Dark of the Moon.
Без названияSub-series consists of records documenting the production of the University of Alberta Studio Theatre's production of Detective Story.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Family Voices.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Good News.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Gramsci x3
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Julius Ceasar.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Knuckle.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of La Mandragola
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of Le Baldes Voleurs.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Love's Labour Lost.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of MacBeth.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Marat / Sade
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of Point of Departure.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Quilters.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Red Eye of Love.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Richard III.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Running of the Deer.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Saturday, Sunday, Monday
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Scenes From American Life.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Songs For Believers.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Sticks and Stones.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Tartuffe.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Bard's Birthday.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Deer and the Antelope Play.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Hostage.
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of The Inspector General.
Без названияSub-series consists of records documenting the production of the University of Alberta Studio Theatre's production of The Male Animal.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Merchant of Venice.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Skin of Our Teeth.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Suicide.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Tender Trap
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Ticket of Leave Man
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of Time Remembered.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Twelfth Night
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of What the Butler Saw.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of When You Comin' Back, Red Ryder?
Без названияAccession consists of photographs of Studio Theatre productions.
Без названияThe records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.
The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.
With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.
Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.
The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.
The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.
Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.
The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.
The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.
The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.
With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.
Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.
The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.
The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.
Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.
The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of A Funny Thing Happened on the Way to the Forum
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of A Touch of the Poet. Also includes clippings from a 1965 Montréal production.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Ah, Wilderness
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Brecht on Brecht
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Dance of Death
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Electra.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Female Transport.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Galileo.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Leonce and Lena.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Let's Murder Clytemnestra According to the Principles of Marshall McLuhan
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Love for Love.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Oh Holy Ghost, Dip Your Finger in the Blood of Canada and Write I Love You
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Scenes From American LIfe.
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of Sganarelle. This production is a special event to celebrate Studio Theatre's 10th Season.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of She Stoops to Conquer.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Ten Lost Years.
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of The Adding Machine.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Balcony.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Birthday Party.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Curve (Die Kurve)
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Firebugs.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Games of Love and Chance.
Без названияSub-series consists of one program for Studio Theatre's performance of The Lesson.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Medium and the Telephone.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Murder of August Dupin.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Tempest.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Visit. Also includes one program from the 1963 Yale production of the play.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The White Geese
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of The Games of Tom Jones Slept Here.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Tonight at 8:30
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Translations.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Uncle Vanya
Без названияSub-series consists of records created in the production and promotion of Studio Theatre's performance of Under Milkwood.
Без названияSub-series consists of production and promotion records for Studio Theatre's performance of Whiskey Six.
Без названияPhotographs of Studio Theatre productions
Без названияStudio Theatre posters
Без названияPhotographs and drawings of Costume Designs as well as general Photographs and Scrapbooks
Без названияTheatre files, 1960-1989; Office files [1914-1965]; photographs of Fine Arts Centre [1970s]
Без названия2,914 colour and black and white slides depicting theatre productions by Studio Theatre.
Без названия