Fonds consists of records pertaining to the Canadian Women's Theatre Guild.
Zonder titelFonds consists of materials related to James DeFelice and his work as a writer, actor, director, and teacher at the University of Alberta's Department of Drama.
Zonder titelThe Chinook Theatre/Fringe Theatre Adventures' records consist of administrative and production files from 1980 through 1995. The administrative records document Board of Directors activities, financial work, site development for various venues, correspondence, and commercial and cultural impact studies. The production records document script development, design and technical production work. In addition both Chinook and Fringe Theatres maintained scrapbooks or archives binders documenting their seasons. There are also a certain amount of school tour production records from Chinook Theatre tours. The records are predominantly textual with some original graphic design, prints, and photographs.
Zonder titelThe records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.
The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.
With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.
Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.
The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.
The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.
Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.
The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.
The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.
The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.
With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.
Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.
The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.
The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.
Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.
The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.
Zonder titelThe records consist primarily of administrative files and production files from 1983 to 1997 with gaps from the 1981/82 to 1986/87 seasons. There is also a residue of material from Theatre 3 dating from 1978. The bulk of the records are textual, the fonds also contains production photographs, posters, promotional materials, set designs and audio/visual materials.
The records are organized into thirteen series: administrative files, production files, promotional files, reviews and articles, subscriptions, technical resources, contracts, photographs, posters, design sketches, publicity, oversize, and audio/visual materials. Each file is given a descriptive title with a box number, file number and date listed. Usually the date given for the items, such as scripts, corresponds to the year in which the play was produced by the Phoenix Theatre. The date of the unproduced script corresponds to the year in which the playwright or artist proposed the play to the Phoenix Artistic Director. In some cases when no date appears on the proposal, the copyright date of the play is used. The administration files are organized in alphabetical order and then chronologically within the title area. Production records are organized chronologically by production. Main stage productions are listed first followed by the Second Stage, Phoenix Downtown records.
Zonder titelThe records consist of administrative, production and play development records. There are eleven series in this fonds: Administration, Development, Finanical Records, Fundraising, Production Records, Publicity, Subscription, Miscellaneous, Contracts, Oversized Items, Photogrphs. While the bulk of the records are textual, the fonds also contains production photographs, set designs, promotional materials, and posters. The files in this accession are arranged in chronological order within the separate series beginning with the administrative files. The fonds also contains the University of Alberta’s Drama 681 course materials, resumes, diaries and weekly reports by artistic director Gerry Potter from 1981 to 1992.
Workshop West Theatre Fond – Descriptive Inventory 1978-1997
Zonder titelThe fonds consists primarily of administrative files and scripts from 1983 to 1994. While the bulk of the records are textual, the fonds also contain some production photographs, posters, promotional materials and set designs.
Most of the administrative files were originally in alphabetical order within a specific time period. The files are organized into descriptive series which include administration, audience surveys, finances, fund raising, physical plant, production files, publicity, subscriptions, contracts, posters, photographs, and other theatres’ publicity materials. Usually the date given for the items, such as scripts, corresponds to the year in which the play was produced by the Nexus Theatre. The date of the unproduced script corresponds to the year in which the playwright or artist proposed the play to the Nexus Artistic Director. In some cases when no date appears on the proposal, the copyright date of the play is used.
Zonder titelFonds contient des matériaux relié au Théâtre Français Edmonton (TFE) tel que des programmes de théâtre, des albums "scrapbook", des photographs, et des cassettes vidéos.
Fonds consists of materials related to the Théâtre français Edmonton (TFE) such as playbills, scrapbooks and photographs. Fonds also includes videocassettes.
Zonder titelThe fonds consists of clippings, press releases, correspondence, photos, slides cassettes and prompt scripts documenting Theatre 3's administrative and operating activities. The fonds is in roughly chronological order according to accumulation.
Zonder titelFonds consists of records pertaining to the Edmonton Professional Theatre Project including a scrapbook.
Zonder titelConsists of records pertaining to Torches Theatre including production books.
Zonder titelThe fonds consists of programs, press clippings, publicity notices, photos, slides, and show lists pertaining to the productions put on by Alberta Barter Theatre between the years 1972 and 1978. The records are in roughly chronological order according to their production.
Zonder titelCanadian Theatre Archives Directory
Zonder titelFonds consists of records pertaining to Catalyst Theatre and their productions.
Zonder titelFonds consists of records pertaining to the Performing Arts Publicists Association of Alberta including administrative records.
Zonder titelFonds consists of student memorabilia of Miriam L. Bowman, including the class history of the University of Alberta class of 1918 and a photograph of the cast of "You Never Can Tell" (1916).
Zonder titelFonds consists of student memorabilia of Mary Mowat, including photographs of basketball teams, Students Council, the class of 1919, convocation gowns, graduation portraits of several students, the cast of "Prunella," and other student groups. The fonds also contains a songbook from the Literary Society, a newsletter of the Soldiers' Comforts Club, a memorial booklet for Katie McCrimmon Love, and a banquet programme from the Wauneita Society.
Zonder titel