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Fonds consists of records pertaining to Patricia McCormack and her work as an anthropologist.

Fonds consists of records pertaining to athlete and Physical Education Professor at the University of Alberta, Patricia Austin

Fonds consists of records pertaining to Percival Warren and his work in the Department of Geology at the University of Alberta.

Fonds consists of records pertaining to Personnel Services and Staff Relations at the University of Alberta.

Fonds consist of records pertaining to Dr. Peter Bowen and his work as a professor of paediatrics at the University of Alberta, his research in genetic disorders, and with the Hereditary Diseases Program of the Province of Alberta.

Fonds consists of both personal and professional records pertaining to Peter John Murphy.

Fonds consists of records pertaining to the Philosophy Club at the University of Alberta.

The records consist primarily of administrative files and production files from 1983 to 1997 with gaps from the 1981/82 to 1986/87 seasons. There is also a residue of material from Theatre 3 dating from 1978. The bulk of the records are textual, the fonds also contains production photographs, posters, promotional materials, set designs and audio/visual materials.

The records are organized into thirteen series: administrative files, production files, promotional files, reviews and articles, subscriptions, technical resources, contracts, photographs, posters, design sketches, publicity, oversize, and audio/visual materials. Each file is given a descriptive title with a box number, file number and date listed. Usually the date given for the items, such as scripts, corresponds to the year in which the play was produced by the Phoenix Theatre. The date of the unproduced script corresponds to the year in which the playwright or artist proposed the play to the Phoenix Artistic Director. In some cases when no date appears on the proposal, the copyright date of the play is used. The administration files are organized in alphabetical order and then chronologically within the title area. Production records are organized chronologically by production. Main stage productions are listed first followed by the Second Stage, Phoenix Downtown records.

Fonds consists of records from the Population Research Laboratory in the Sociology Department at the University of Alberta.

Fonds consists of records pertaining to Printing Services at the University of Alberta.

Accession consists of records pertaining to the operations of the Professional Examinations Office at the University of Alberta.

Fonds contient plusieurs douzaines de cassettes audio avec des entrevues pour le projet Local Culture.

Fonds consists of several dozen audio cassette tapes with interviews for the project Local Culture.

Fonds consists of records collected or created by the Provincial Archives of Alberta.

The fonds consists of the annual reports of the Manitoba Legislative Library and Archives.

Fonds consists of records pertaining to the University of Alberta's Publications Office.

Fonds consists of photographic records.

Fonds consists of records pertaining to Ralph Faust and his work in the Department of Anatomy at the University of Alberta.

The fonds consists of predominantly textual records that document the academic, business, and administrative career of Dr. Raymond Lemieux. The records remain in their original, loosely chronological order. The series are

The Raymond Lemieux fonds consists of records documenting the teaching, research and publication, and business interests he pursued throughout his life.

Fonds consists of records pertaining to Reg Loomis and his work in forestry.

This fonds is composed of material related to the research and typescript of Roger Pocock's 2007 biography "Outrider of Empire" written by Geoffrey Pocock. Series are broken down by chapter and are organized according to the order listed in the endnotes of the book.

Fonds consists of records pertaining to Chemist Reuben Benjamin Sandin.

Fonds consists of a materials from the Richard Eaton Singers including minutes, financial records, administrative records, membership lists and publicity materials. Fonds also includes recordings and photographs.

Editorial and institutional files created by the committee working on publishing a critical, bilingual edition of the collected writings of Louis Riel to mark the 100th anniversary of his death.

Fonds consists of records created or collected by Richard A. Logan.

Correspondence, drafts, research notes and photos concerning a monograph on the history of the first 50 years of the Department of Surgery, 1922-1975. Also includes lab notes and drawings from Macbeth's UofA medical studies (1938-1940);Tropical medicine textbooks; bound case notes and operative reports from 1948 McGill Univerisity Diploma Course in Surgery (1948-1952); Publications of the Faculty of Surgery (1961-1974). Also includes sketchbook for Anatomy 36 (1941-42); Discharge Summaries and Operation Reports: General Surgery Service, Children's Memorial Hospital, July 1, 1949-Sept. 30, 1949 and April 1, 1950-June 19, 1950.

Fonds consists of general correspondence, financial records and client case files of the law firm of Rutherford, Jamieson, Rutherford and Mccuaig and its predecessors.

Fonds consists of Scandiavian Studies Association Board Meetings and Agendas, Association Lotteries and Endownment documents, Governance and Bylaws, Audited Statements/ Reports, Publicity Material, Scandiavian Studies Association Program and Course-Related Information and Association Fundraising information.

Fonds consists of records pertaining to the School of Library and Information Studies at the University of Alberta.

The papers, covering the period 1895 to 1983, consist chiefly of biographical data, correspondence, diplomas and certificates, texts of speeches, reports, accounts, property and estate business, maps, sketch plans, blueprints, publications, and reference material. Dr. Blair had made notes about the contents of some folders and envelopes, but most of the labelling of files had been done either by one of his secretaries or by Mrs. Roughley as she was preparing to work on the project. While the file headings correctly identified the contents, there was very little order apparent in the arrangement of the files except in the case of the reports of Trinidad Leaseholds Limited, his speeches, and those files relating to Dr. Blair's memberships and directorships in various organizations, clubs and corporations. Photographs, both personal and business, constitute the fifth series and include photos of Dr. Blair, his family and friends, and projects and activities with which he was associated in his professional life.

Fonds consists of records pertaining to Dr. Davis Fraser .

Fonds consists of records pertaining to St. Joseph's College and its operations.

Fonds consists of records pertaining to St. Stephen's College and its operation.

Fonds consists of records pertaining to the Faculty of Agriculture.

Fonds consists of records pertaining to Stuart Duncan.

Fonds consists of materials related to the University of Alberta's Students' Union.

The records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

Fonds consists of records from the Surgical-Medical Research Institute.

Symyrenko family documents, letters, diaries, newspaper articles, correspondence.

Fonds consists of records pertaining to Technical Services at the University of Alberta.

The records have been arranged in three broad series: Series one is the records of the Edmonton Technocracy regional district; Series two is the Calgary Technocracy regional district records; and Series three is the records of a long-standing individual member of the Edmonton Technocracy group, John Gregory. Within each series are several sub-series to further facilitate the description of the record. Sub-series include: organizational records, office administration files, special collections from individual Technocracy members, outreach and publicity records, and publications. The predominant amount of the fonds is comprised of publications, including newsletters, pamphlets and booklets, reprints and other articles, periodicals, and books. Much of this material is the official publications of Technocracy, Inc. head office, or material published by individual sectors on matters of more local concern. Individual members also wrote papers on a variety of Technocracy topics, and submitted their writings to CHQ (Corporate Headquarters) for comment and approval before considering wider distribution. Also included are other articles, papers, theses and books that write about Technocracy as a topic or about subject-mater of interest to Technocracy members. A published series of lessons discussing Technocracy doctrine was published by Technocracy, Inc. and titled “Technocracy Study Course”; various editions of the Study Course publications are found in this fonds. Technocracy Headquarters also prepared regular ‘general mailings’ and operating instructions which were sent to all their members, and included information updates, book reviews, activity reports and plans for upcoming meetings and visits. Strategies for attracting membership and related outreach activities were discussed in the CHQ mailings, and member sectors responded in turn with monthly reports to CHQ detailing their membership and financial activity, meetings and outreach plans. Series three, John Gregory’s records, includes interesting correspondence between himself and Howard Scott, originator of Technocracy and long-serving Director-in-Chief of Technocracy, Inc. Issues around water and continental hydrology are one topic of their correspondence. Mr. Gregory also collected long playing albums that record a lecture Howard Scott gave in Ohio in 1952. While categorically not a populist movement, the Technocracy papers deposited with the University of Alberta Archives reflect the popular interwar currents of thought in North America regarding the political and economic organization of society. In this sense, the Technocracy movement is significant in the same manner that many prairie populist movements hold historical research value. The records are in excellent physical shape and provide valuable insight into a unique North American social movement.

Fonds consists of records pertaining to Technology Entrepreneur and Company Development Edmonton including operational records.

Fonds consists of a records pertaining to the University of Alberta's independent student newspaper The Gateway.

Fonds consists of testing materials, office files, and other records from the Provincial Fitness Unit of Alberta, the Alberta Fitness Leadership Certification Association, and the Fitness Unit of the Faculty of Physical Education and Recreation.

The fonds consists of clippings, press releases, correspondence, photos, slides cassettes and prompt scripts documenting Theatre 3's administrative and operating activities. The fonds is in roughly chronological order according to accumulation.

Fonds consists of records collected and created by Theresa Alta Wilton (née Iddings), from the University of Alberta Class of '24.

Transcripts of interviews with members of the Slavey Indian Band, 1976-1978. The interviewees talk about their childhood, trapping and hunting, camping, social life, etc. in the "old days". The interviewers are particularly interested in the ways in which the aboriginals used fire in the bush, setting fires around their house or camp to clear the land and facilitate trapping and migration on the prairies.

Fonds consists of records pertaining to Dr. Thomas Blench of the Department of Civil Engineering at the University of Alberta, Edmonton, Alberta.

Fonds consists of interviews and transcriptions of interviews with Coast Salish peoples living in communities located predominantly in contemporary Washington State. Also includes photographs of communities.

Consists of records pertaining to Torches Theatre including production books.

Fonds consists of records pertaining to Travis Manning and the Department of Agricultural Economics (Rural Economy).

Fonds consists of records related to the research and operations of the Tri-University Meson Facility (TRIUMF).

Fonds consists of records pertaining to the Universities Coordinating Council.

Fonds consists of records related to the operations and history of the University Bookstore at the University of Alberta.

Fonds consists of records related to the history and operations of University Computing Systems at the University of Alberta.