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Fonds consists of records pertaining to Edgar Wood.

Fonds consists of records pertaining to Max Wyman and his work as a mathematician and in the Department of Mathematics at the University of Alberta.

Transcripts of interviews with members of the Slavey Indian Band, 1976-1978. The interviewees talk about their childhood, trapping and hunting, camping, social life, etc. in the "old days". The interviewers are particularly interested in the ways in which the aboriginals used fire in the bush, setting fires around their house or camp to clear the land and facilitate trapping and migration on the prairies.

Otto Schaefer's records related his years as a medical researcher in Northern Canada among aboriginal people; included are manuscripts, publications by others, raw data, statistical materials, printed materials, correspondence and related medical files.

Otto Schaefer Slides – Back up

The Peter Meekison fonds document the professional career of an important teacher, researcher, and administrator who had a distinguished career with both the University of Alberta and the Provincial Government of Alberta for a period spanning nearly thirty years. His records contain material relating to both his teaching and administrative career at the University of Alberta, his work related to constitutional affairs for the Province of Alberta, and his role as a Commissioner on the Royal Commission on Aboriginal Peoples. The records, largely textual, have been arranged according to four fairly broad series. The first series contains records related to Professor Meekison’s academic pursuits, and include some of his student notes while in the Ph.D program at Duke University and his teaching and administrative files from the University of Alberta. Included with the UofA files are teaching and research files, Vice-President (Academic) administrative files, and files related to special projects, programs, and committees Dr. Meekison was committed to while at the University. The second series contains material related more generally to Peter Meekison’s professional career, which is relevant to both his research interests at the University, and his work with the Provincial Government. There are correspondence files, sorted into the Department of Federal and Intergovernmental Affairs chronological files, general correspondence files, and ‘people’ correspondence files. As well, this series contains records related to Meekison’s involvement with various professional associations and committees, his speaking engagements and attendance at conferences and workshops, and his writing and publication activities. Subject reference files maintained by Professor Meekison are included in this series, as well as his personal appointment books. Series three consists of Peter Meekison’s Constitutional material and is arranged according to an original color-coded file scheme applied when the files were current. The color-coded files include reports, briefing books, transcripts, and issues files related to various First Minister meetings, and committee meetings surrounding the constitutional reform discussions. Many of these files were created while Peter Meekison was Minister of Alberta Federal and Inter-Governmental Affairs and relate to the amending of the Constitution Act in 1982. A set of coded files is included in this series which addresses non-Constitutional issues his Ministry was dealing with. In his capacity as constitutional adviser to the provincial government post 1984, there is material related to the Senate Reform Task Force meetings, and the constitutional committee work leading to the Meech Lake Accord discussions and the 1992 Charlottetown Accord. Included in this series are numerous constitutional background material files which provide further insight into the constitutional process and debate. The final series consists of very complete records retained by Peter Meekison in his capacity as a Commissioner on the Royal Commission on Aboriginal Peoples (RCAP). The Commission was struck in 1992, and Meekison appointed to it in 1993. Included in the records are meeting minutes and documents, Intervener Participatory Program (IPP) submissions to the Commission, reports prepared for and by the Commission; policy team records, and background and reference files. The records are in excellent physical shape and because of their completeness and the broad span of years represented, provide valuable insight into issues facing Alberta and Canada in the 1980’s and 1990’s, as well as documenting University activities during this period and earlier.

The J. Peter Meekison fonds consists of records related to Professor Meekison's academic pursuits and his career at the University of Albera; his professional activities encompassing his research and writing files; constitutional material including Senate Reform Task Force records and Meech Lake Accord; and records of the Royal Commission on Aboriginal Peoples.

This multiple media fonds consists of personal and professional correspondence; research and reference materials (original, printed, and photocopied); field and other notebooks; published and hand-drawn maps; microforms; audio and video tapes of individuals and research topics; computer disks and diskettes; drawings and sketches; and photographic negatives and prints. Records include the Sandy Lake, Red Lake, and Round Lake research projects, and the Metis genealogical study. Some of the material is the creation of Mary's husband E.S. Rogers, and some is their joint research.

Hugh M. Raup's records relating to Arctic and northern research; included are field notes, aerial photographs, maps, drafts and manuscripts of published papers, plant lists, and photographs of research sites and surrounding areas.

Fonds consists of records pertaining to the Faculty of Native Studies at the University of Alberta.

Fonds consists of records related to the operations of the Office of Administrative Systems, formerly the Office of Administrative Data Processing, at the University of Alberta. The fonds also includes records from the University Computing Centre.

The Human Rights Institute of Canada fonds contains the records of the Human Rights Institute of Canada and its founder and president, Marguerite Ritchie. The Human Rights Institute of Canada is an independent, not for profit, non-partisan research group which conducts and promotes research into issues that impede equality for Canadians, as per the United Nations’ Universal Declaration of Human Rights, with a specific focus on women’s equality. This Institute was founded by Ottawa based lawyer, Marguerite Ritchie, a former lawyer for the Department of Justice and Vice-Chair of the Anti-Dumping Tribunal. The fundamental premise of the Institute was to provide expert legal research to the Canadian people in the same way that the Department of Justice gives legal advice to the Government of Canada. As founder and President, Marguerite Ritchie set the tone for the Institute and this fonds also contains her papers from before she founded the Human Rights Institute of Canada.

The materials in this fonds date from 1934 to 2013. Materials from the Human Rights Institute of Canada are from 1973 to 2013, while legal research materials date back to the 1700s. The fonds pertains predominately to Canada, with some research on the United States of America (USA), Europe, the Soviet Union (USSR), the Middle East, and Africa. With the exception of United Nations conferences and research on Israel, most of the research on other nations and regions is for a point of comparison for rights, equality, and politics.

The fonds contains three types of materials: those of Marguerite Ritchie from her personal life and career before she founded the Human Rights Institute of Canada, those relating to the functioning of the institute, such as administrative records, and those relating to the work of the Institute produced mainly by President Marguerite Ritchie. Documents from the work of the Human Rights Institute of Canada is the largest portion of the fonds. Materials produced by the Institute were generated mostly by the projects it was involved with, including tracking issues over the course of years and its efforts to publicise its research in the media and the government. This fonds does not contain working papers of volunteers. Function based Institute records document the Human Rights Institute of Canada’s founding, its procedures, funding, support, and organisation. Materials of founder Marguerite Ritchie contain research from her work at the Department of Justice and the Anti-Dumping Tribunal, Anti-Dumping Tribunal procedures, her personal experiences facing sexism and gender discrimination while working for the federal government. It also includes her personal research on women’s issues which she began while working for the Department of Justice and which became a life-long passion.

The Human Rights Institute of Canada addresses issues of women’s equality, human rights, the United Nations and international law, Canadian laws and equality, the functioning of government, equality in the justice system, the relationship between the federal governments and the provinces, and funding and support for the Institute. Major projects the Institute worked on to address these issues include Persons Case II, Senate reform, the Meech Lake Accord and Charlottetown Accord, status equality for aboriginal women, the Expropriation of Nanoose Bay, the Royal Commission on Aboriginal Peoples and the high arctic relocations, the Royal Commission on the Status of Women and following the development of the status of women, Quebec separatism, and the Official Languages Act and bilingualism. The most common document types are newspaper clippings, memorandum, correspondence, press releases, reports, legislation, House of Commons and Senate debates, committee minutes and proceedings from Parliament, promotional materials, and government publications. Newspaper clippings are mostly annotated with citations and marginalia. The fonds also contains a significant number of Dialogue magazines; Marguerite Ritchie was a long time contributor to this magazine, which publishes reader contributed articles on political and social issues from a variety of perspectives.

Fonds consists of records documenting the personal and professional lives of Finley McInnes. The predominant volume of records were created during McInnes's career as a member of the North West Moutned Police. He served most of his law enforcement career in the "Northen Services." His northern service includes numerous Arctic patrols where he set up stations at Pond Inlet, Pangnirtung. He worked significant portions of his career at Port Burwell , Nottingham Island, Aklavik, Port Burwell and the Nothern Ungava Peninsula. His law enforcement work in these locations generated the predominant protion of the graphic and textual material in the fonds. The fonds has been arranged into five series. The first series, Professional Services consists of 22 sub-series, each sub-series encapsulates a particular assignment or professional acitivity save for sub-series one (personal) and sub-series two (poems).

Fonds consists of records documenting the personal and professional lives of Finley McInnes. The predominant volume of records were created during McInnes's career as a member of the North West Mounted Police. He served most of his law enforcement career in the "Northern Services." His northern service includes numerous Arctic patrols where he set up stations at Pond Inlet, Pannier. He worked significant portions of his career at Port Burwell , Nottingham Island, Aklavik, Port Burwell and the Nothern Ungava Peninsula. His law enforcement work in these locations generated the predominant portion of the graphic and textual material in the fonds.

The fonds has been arranged into five series. The first series, Professional Services consists of 22 sub-series, each sub-series encapsulates a particular assignment or professional activity save for sub-series one (personal) and sub-series two (poems).

Photographs copied from an original album created by Edmonton photographer, C.W. Mathers. Included are photographs representing aboriginals involved in trading and hunting activities, as well as photographs of northern settlements such as Fort Chipewyan, Fort Smith, Fort Providence, Fort McPherson, and Fort Good Hope.

Oral tape interviews and printed transcripts of interviews conducted by Diane Persson with individuals connected with the Blue Quills Indian Residential School. The interviews were conducted as part of her research for her Ph.D. thesis entitled: "Blue Quills: A Case Study of Indian Residential Schooling".

Fonds consists of records pertaining to the Office of Student Awards at the University of Alberta.

The fonds includes M.H. Long's published works and records, primarily photographs, relating to his activities as a member of the National Historic Sites and Monuments Board; five photographs depict the unveiling of the Crowfoot Memorial in Gleichen, Alberta.

Fonds consists of records pertaining to Ali-Amir Husain.

Fonds consists of records pertaining to the Department of Physical Plant at the University of Alberta.

Fonds consists of materials related to James DeFelice and his work as a writer, actor, director, and teacher at the University of Alberta's Department of Drama.

Fonds consists of tehatre programs, posters and miscellaneous documentation of the dramatic arts in Alberta. Includes office files documenting the administrative and operational activities of such local Edmonton theatre projects as Walterdale, The Fringe, The Citadel, Theatre 3, Shadow Theatre, Stage Polaris, Workshop West, and Teatro la Quindicina. and Freewill Players.

Correspondence, drafts, research notes and photos concerning a monograph on the history of the first 50 years of the Department of Surgery, 1922-1975. Also includes lab notes and drawings from Macbeth's UofA medical studies (1938-1940);Tropical medicine textbooks; bound case notes and operative reports from 1948 McGill Univerisity Diploma Course in Surgery (1948-1952); Publications of the Faculty of Surgery (1961-1974). Also includes sketchbook for Anatomy 36 (1941-42); Discharge Summaries and Operation Reports: General Surgery Service, Children's Memorial Hospital, July 1, 1949-Sept. 30, 1949 and April 1, 1950-June 19, 1950.

The Chinook Theatre/Fringe Theatre Adventures' records consist of administrative and production files from 1980 through 1995. The administrative records document Board of Directors activities, financial work, site development for various venues, correspondence, and commercial and cultural impact studies. The production records document script development, design and technical production work. In addition both Chinook and Fringe Theatres maintained scrapbooks or archives binders documenting their seasons. There are also a certain amount of school tour production records from Chinook Theatre tours. The records are predominantly textual with some original graphic design, prints, and photographs.

The records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

Fonds consists of records pertaining to Edward Lozowski including correspondence, data sets, photographs, published papers, drafts and other materials related to atmospheric and ice related climate and meteorological events.

The records consist primarily of administrative files and production files from 1983 to 1997 with gaps from the 1981/82 to 1986/87 seasons. There is also a residue of material from Theatre 3 dating from 1978. The bulk of the records are textual, the fonds also contains production photographs, posters, promotional materials, set designs and audio/visual materials.

The records are organized into thirteen series: administrative files, production files, promotional files, reviews and articles, subscriptions, technical resources, contracts, photographs, posters, design sketches, publicity, oversize, and audio/visual materials. Each file is given a descriptive title with a box number, file number and date listed. Usually the date given for the items, such as scripts, corresponds to the year in which the play was produced by the Phoenix Theatre. The date of the unproduced script corresponds to the year in which the playwright or artist proposed the play to the Phoenix Artistic Director. In some cases when no date appears on the proposal, the copyright date of the play is used. The administration files are organized in alphabetical order and then chronologically within the title area. Production records are organized chronologically by production. Main stage productions are listed first followed by the Second Stage, Phoenix Downtown records.

The Wilfred Watson fonds span a period of over fifty years, and provide a wonderful record of the creative processes of a noted Canadian poet, playwright, teacher and literary theorist. Wilfred Watson was a writer brimming with ideas and his papers provide evidence of his creative endeavors; his numerous notebooks are filled with drafts of plays and poems, ideas for further development, excerpts from his own reading and study, sketches, and jottings about his daily activities. In addition to his notebooks, there are files of his writing drafts (encompassing the many genre he wrote in), very complete correspondence files, drawing files and sketchbooks, and supplemental material including sound recordings and photographs. The records arrived at the University of Alberta Archives in three separate deposits (the last deposit of records made after Wilfred Watson's death), with excellent listings and descriptions attached. The archivist brought the records in each of the three deposits together physically and intellectually, while retaining many of the original groupings adhered to in the first listings. The notebooks, for example, were kept chronologically by Wilfred Watson, so the notebooks from all three deposits have been pulled together and arranged in their original date order. Likewise, the correspondence in each deposit was arranged alphabetically by correspondent and in the comprehensive finding aid, all of the correspondence is together and arranged in alphabetical order. The series designations include the following eight series, and were arrived at by considering the contents of the records. Watson's notebooks are of particular research value as they provide so much information about Wilfred Watson's creative thought processes, as well as information about his teaching plans, readings, Department of English activities, and even a daily weather observation from his study window. The notebooks also held loose sheets of paper, and these have been removed for conservation purposes and placed in a separate file following the notebook they were retrieved from. The series of literary drafts and writing files is also very significant; often several different versions of a particular poem or even an entire play are present in the files. The writing files take on added significance since they provide evidence of, as Wilfred Watson was once described, "a prolific poet who publishes little." As Diane Bessai noted, Watson's plays, while given lively reviews in the daily press at the times of their first performances, "have not been widely produced since". His writing, particularly his later writing, was often considered controversial and experimetnal, and was not readily published or produced, so it is important that his work is preserved in his own archive. The correspondence files, particularly the letters between Wilfred Watson and Sheila Watson, provide another fascinating glimpse into these writers' minds. The Watsons, due to work and schooling circumstances, lived apart off and on over the years and their letters became their main link. Their letters, written regularly to one another, usually go beyond the ordinary to explore mutual ideas about writing, writers, literature, and projects they are working on in their own studies. A detailed series and file list follows, with further information provided about each of the eight series in the Wilfred Watson fonds. A subject/name index is included at the end of the inventory to assist in locating specific files.

Fonds consist of records detailing the academic career of John Overton Orrell, with the bulk of the records concentrating on his academic research related to the Globe Theatre rebuilding project. Dr. Orrell became involved with the project in 1979, and was an active member with the Globe Rebuilding Committee through years of research, site digs, theory constructions, and the eventual rebuilding and opening of the replica Globe Theatre on the banks of the Thames River in London, England. His Globe project files are very detailed, and include annual project files, meeting minutes, correspondence with the Globe architect, Theo Crosby, and other members of the Globe ‘team’, as well as detailed architectural plans, drawings, and photographs. There are also files concerning the function of the theatre once built, including opening festivities, publicity, fund-raising, and theatre season brochures.

The Orrell fonds span his academic career, including early doctoral research files which evolved into early teaching files, with detailed notes on readings, cited references, and copies of various articles, imprint, and scholarly papers related to his fields of research interest. There is a blending between what might have been research files, and what became teaching files, but the end result if a fonds that represents his many professional activities, research interests and directions. There are University of Alberta administrative files, reflecting Orrell’s position as a long-serving faculty member and the accompanying duties this entailed. Dr. Orrell’s professional activities are also reflected in files concerning conferences and seminars attended, speeches given, and correspondence maintained with fellow academics and colleagues.

One series is devoted to his script writing activities, which includes a number of files related to a study of British television programs and scripts, undertaken during an early sabbatical year abroad. Dr. Orrell was the author of several scripts written for Canadian radio and television productions, and copies of the annotated scripts are included in this series of records.

A fairly extensive series relates to John Orrell’s research, writing and publishing activities, and again there is a blurring of lines as much of his research and writing activity is tied closely to his work with the Globe Theatre project. This series is organized into several sub-series to better facilitate access to its many components.

Only a few files concern Professor Orrell’s personal life, and these are described in a small series. A final series describes the extensive photograph holdings, although a more detailed description to the photographs will be prepared at a later date.

The fonds consists primarily of administrative files and scripts from 1983 to 1994. While the bulk of the records are textual, the fonds also contain some production photographs, posters, promotional materials and set designs.

Most of the administrative files were originally in alphabetical order within a specific time period. The files are organized into descriptive series which include administration, audience surveys, finances, fund raising, physical plant, production files, publicity, subscriptions, contracts, posters, photographs, and other theatres’ publicity materials. Usually the date given for the items, such as scripts, corresponds to the year in which the play was produced by the Nexus Theatre. The date of the unproduced script corresponds to the year in which the playwright or artist proposed the play to the Nexus Artistic Director. In some cases when no date appears on the proposal, the copyright date of the play is used.

Fonds consists of interviews and transcriptions of interviews with Coast Salish peoples living in communities located predominantly in contemporary Washington State. Also includes photographs of communities.

Fonds consists of records pertaining to Geoffrey Lester.

Fonds consists of teaching, publishing, and research records of Dr. Alexander Smith.

Fonds consists of a records pertaining to the University of Alberta's independent student newspaper The Gateway.

Fonds depicts Gordon Peacock's professional activities as a actor, teacher, and director from the 1950s to the 1990s. The predominant amount of records are photograhs from various productions of the University of Alberta's Studio Theatre. There are also textual files documenting Peacock's directing, teaching and administrative career. The material is arranged in chronological order.

Fonds consists of records pertaining to Bente Roed including documenting the research, composition and promotion fo the book "Printmaking in Alberta."

Three files consisting of operational and administrative records of the Edmonton Ballet Association.

Admintistrative, research, teaching and student records of University of Alberta professor of history William Sampson.

Research, publication and teaching notes of Professor Schalkwijk-Barendsen.

Fonds consists of records collected or created by the Provincial Archives of Alberta.

Fonds consists of materials created by the Evergreen and Gold Foundation at the University of Alberta, including Evergreen and Gold yearbooks.

Fonds consists of records pertaining to the Alberta Teacher's Association and the Alberta Fitness Leadership Certification Association.

Fonds consists of records pertaining to Printing Services at the University of Alberta.

Personal papers, research, biographical information, financial statements
RESTRICTED to permission of Austin Mardon

Fonds consists of records pertaining to the Boreal Institute for Northern Studies.

Fonds contains records pertaining to John A. Allan.

Fonds consists of records from W.D. McDougall.

Fonds consists of records, including photographs, transferred from the Glenbow Archives.

Fonds consists of records pertaining to Dr. Thomas Blench of the Department of Civil Engineering at the University of Alberta, Edmonton, Alberta.

Fonds consists of records created or used by the Office of Institutional Research and Planning at the University of Alberta.

Fonds consists of records related to the career of Dr. William George Hardy.

Accession consists of records related to the operations of the Medical Alumni Association at the University of Alberta.

Fonds includes records pertaining to the Chinese Students' Association at the University of Alberta including issues of The Midway.

The Dr. Chuji Hiruki fonds is a very rich and diverse acquisition of materials depicting the life and primarily teaching and research career of Chuji Hiruki. The fonds comprises a broad scope of records comprising mainly of textual materials reflective of his teaching, research travel and role as a professor of plant pathology during his tenure with the University of Alberta.

Fonds consists of records pertaining to the Department of Surgery in the Faculty of Medicine at the University of Alberta.

Fonds consists of records pertaining to the National Research Council.

Fonds consists of records pertaining to Dr. Howard Hepburn.

Fonds contient plusieurs journaux Le Franco depuis plusieurs années.

Fonds consists of several journals Le France dating back several years.

Contains audio visual materials created by Video Video Productions related to the University of Alberta.

Fonds contient plusieurs douzaines de cassettes audio avec des entrevues pour le projet Local Culture.

Fonds consists of several dozen audio cassette tapes with interviews for the project Local Culture.

Fonds contient des documents textuels relié la société Boite a Theatre, le Théâtre français d'Edmonton, L’UniThéâtre, St-Joachim, et l'ACFAS qui inclus des documents financiers, des reçus, des programmes de théâtre, la correspondence, des publicités, des procès-verbaux et rapports, des demandes de subventions, des questionnaires, des extraits de journaux (photocopies et originales) et autres documents relié au théâtre francophone à Edmonton en Alberta.

Fonds consists of textual records pertaining to Boite a Theatre Society, Théâtre français d'Edmonton, L’UniThéâtre, St-Joachim, and ACFAS including financial statements, receipts, theatre programs, correspondence, advertisements, meeting minutes and reports, grant applications, questionnaires, newspaper clippings (photocopies and originals) and other documents relating to Francophone theatre in Edmonton, Alberta.

Fonds consists of records pertaining to the Office of the Dean of Engineering at the University of Alberta.

Fonds consists of records related to W. H. Alexander's career at the University of Alberta.

Fonds consists of records related to Alexander Matejko's time as a professor of Sociology at the University of Alberta.

Fonds consists of class photos, teaching slides, office files, and other records from the Department of Mineral Engineering at the University of Alberta.

Accession consists of records pertaining to the operations of the Professional Examinations Office at the University of Alberta.

Fonds consists of records of Leszek Kosinski and his work in the Department of Geography at the University of Alberta.

Fonds consists of records collected and created by UAA archives assistant Keith Stotyn, including guides to other collections.

Fonds consists of records related to the operations and history of the University Bookstore at the University of Alberta.

Fonds consists of records created or collected by John Unrau in his career at the University of Alberta.

Fonds consists of records pertaining to Stuart Duncan.

Fonds consists of records collected or created by D. E. Cameron, University of Alberta Librarian.

Fonds consists of records pertaining to International Reading Association.

Fonds consists of records pertaining to the Department of Physiology at the University of Alberta.

Fonds consists of the annual reports and other materials of the Institute of Law Research and Reform.

Fonds consists of records created of collected by Margaret Dixon Penhold during her time as a student at the University of Alberta.

Correspondence and records (material and digital) from 1994-present of the first collaborative digital humanities project in Canada; including materials pertaining to the publication of Orlando: Women's Writing in the British Isles from the Beginnings to the Present (Cambridge University Press, 2006--); grant applications; meeting minutes; project documentaion; publishing contracts; digitial interfaces; encoded documents.

Fonds consists of records from the City of Edmonton Archives, including collection guides.

Fonds consists of records related to the history and operations of the Department of Food Science.