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Studio Theatre fonds
UAA Fonds 0426 · Archief · 1949-2009

The records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

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Set Plans
Fonds 5-3-0426 · Deelreeks
Part of Studio Theatre fonds

Sub-series consists of set palns for Studio Theatre's productions of Little Foxes, The Hostage, Threepenny Opera, and Old Times.

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Set Designs
Fonds 5-2-0426 · Deelreeks · 1950-1960
Part of Studio Theatre fonds

Sub-series consists of set designs for Studio Theatre's producitons of MacBeth, Thieves Carnival/Le Bal des Voleurs, and Under Milkwood.

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Costume Designs
Fonds 5-1-0426 · Deelreeks · 1952-1959
Part of Studio Theatre fonds

Sub-series consists of photographs and costume designs for Studio Theatre's productions of Othello, The Tempest, MacBeth, and Time Remembered.

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Textual Material
Fonds 426-2-5-2 · Sub sub series · 1951
Part of Studio Theatre fonds

Sub-sub-series consists of programs, press announcements, reviews for the production of the play.

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Graphic Material
Fonds 426-2-5-1 · Sub sub series · 1951
Part of Studio Theatre fonds

Sub-sub-series consists of photographs and a poster created to promote and record the performance of Studio Theatre's production of The Madwoman of Chaillot.

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Fonds 426-2-21-1 · Sub sub series · 1953
Part of Studio Theatre fonds

The sub-sub-serires consists of photographs, posters, set designs and other graphic material created in the production and recording of the University of Alberta Studio Theatre production of Dark of the Moon.

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UAA-1980-141
UAA-1980-141 · Accession · 1963-1972
Part of Studio Theatre fonds

Accession consists of photographs of Studio Theatre productions.

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UAA-2023-007
UAA · Accession · 1950-2001
Part of Studio Theatre fonds

Accession consists of Studio Theatre playbills (1950-2001), season brochures (1968-1993), an anniversary booklet (1982-1983), and campaign mailouts (1988-1995).

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UAA-2010-001
UAA-2010-001 · Accession · [ca. 1950-2008]
Part of Studio Theatre fonds

2,914 colour and black and white slides depicting theatre productions by Studio Theatre.

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UAA-2004-002
UAA-2004-002 · Accession · 1950-1952
Part of Studio Theatre fonds

Programs and photographs from Studio Theatre early performances of: "Androcles and the Lion", "The Madwoman of Chaillot", The Cherry Orchard" and "Widger's Way".

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UAA-1992-022
UAA-1992-022 · Accession · 1914-1989
Part of Studio Theatre fonds

Theatre files, 1960-1989; Office files [1914-1965]; photographs of Fine Arts Centre [1970s]

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UAA-1990-181
UAA-1990-181 · Accession · 1950-1968
Part of Studio Theatre fonds

Photographs and drawings of Costume Designs as well as general Photographs and Scrapbooks

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Related Theatre Records
Fonds 426-6 · Reeks · 1955-1969
Part of Studio Theatre fonds

The University of Alberta Alumni Studio A was registered as a Society on May 4th, 1956. Membership was open to any person who was an alumnus of the University of Alberta provided their membership was approved by a majority vote of the Board of Directors. The Board of Directors, consisting of a President, Vice-President, Secretary-Treasurer, and two directors met monthly, while general meetings were planned annually. The head of the Studio Theatre was an ex-officio member of the board during his term of office. Studio Theatre provided rehearsal space, underwrote the expenses of the plays, and had a share of Alumni Studio's profits. The alumni who joined this organization were often Drama Department graduates who wished to remain involved with the University theatre scene. The Alumni Studio players staged productions during the Studio Theatre season, Alumni Players acting alongside current University of Alberta drama students in regular season productions. The Alumni Studio A Society appears to have functioned until the mid-1960's, and gradually dwindling out as Studio Theatre focused more on students in the drama program filling all the positions related to the production. While very brief, the Alumni Studio A records that follow provide a variety of information on the Society.

Torches Theatre opened in June of 1962 as an outdoor summer theatre. It was an idea of Gordon Peacock's, based on his experience of seeing Shakespeare staged in the open at Central Park in New York. Torches Theatre was situated in the south courtyard of Corbett Hall, which permitted access to the Studio Theatre switchboard for lights and power. The entrance to the courtyard was marked with two burning torches that prior to the performance were placed on either side of the stage; hence the name "Torches" Theatre. The outdoor stage was a raised platform, four feet high with steps up to it and levels above it for a second story. The audience, which could number over 200, sat on wooden chairs on the lawn; in case of rain, the theatre was moved indoors to the Studio Theatre stage. Productions played nightly and were usually staged from early July until mid-August. Productions staged in the first summer at Torches included Dark of the Moon, Under Milkwood, and Our Town.

Torches was a semi-professional theatre; a 1967 press release states that: "each acting fellow will be paid $75.00 per week for the performance period and $50.00 per week for the rehearsal periods." This press release advertises pay rates for positions in acting, production and box office. By 1967, the Torches productions were touring the province, performing in a number of communities in Alberta prior to their regular summer season.

The Torches records consist of eighteen production books dating from 1962 to 1969. They provide valuable information about the Torches summer productions, and are listed below.

The files are arranged chronologically by date of production.

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Production files
Fonds 426-2 · Reeks · 1949-1991
Part of Studio Theatre fonds

Series consists of records documenting the technical, operative, and administrative activities of Studio Theatre productions. Records include programs, news clippings, and promotion material. The more recent files contain more records including background production research notes, financial records, and correspondence. A production file was maintained for each production. Title based on content of the files. photographs and oversize items were removed from the files and stored separately; news clippings were photocopied on to acid neutral paper and the original clippings removed. The files are maintained in chronological order by date of production.

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Design Records
Fonds 426-5 · Reeks · 1950-1981
Part of Studio Theatre fonds

The items in this series provide a sample of the set designs and plans and costume designs created for Studio Theatre productions. Only a small proportion of the Studio Theatre productions are represented in this series, although the representation is increased if the production books plans and designs are considered.
The items are arranged as:

  1. Costume designs
  2. Set designs
  3. Set plans
    The order is chronological by production date. The costume designs are hand drawn and coloured and usually identified by the name of the character. Set designs, like costume designs, are hand drawn and coloured. The set plans include details on set elevations, prop placement, and stage dimenions. Designs are fragile and composed on low grade paper. Many are over sized and stored seperately.
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Administrative Records
Fonds 426-1 · Reeks · 1960-1965
Part of Studio Theatre fonds

Series consists of five correspondence files addressing a variety of administrative concerns. Much of the correspondence is written to or from Gordon Peacock, in his capacity as Associate Professor of Drama. The series also includes annual reports and interdepartmental memorandums. Correspondents also include significant theatre personalities including H.G. Glyde and Betty Mitchell. The series title is based on the content of the records.

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Whisky Six
Fonds 426-2-171 · Deelreeks · 1985
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Whiskey Six.

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Twelfth Night
Fonds 426-2-85 · Deelreeks · May-22
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Twelfth Night

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Waiting for Godot
Fonds 426-2-177 · Deelreeks · 1986
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot.

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What the Butler Saw
Fonds 426-2-137 · Deelreeks · 1979
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of What the Butler Saw.

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Translations
Fonds 426-2-173 · Deelreeks · October 31-November 16, 1985
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Translations.

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Uncle Vanya
Fonds 426-2-128 · Deelreeks · October 20-29, 1977
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Uncle Vanya

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Under Milkwood
Fonds 426-2-48 · Deelreeks · March 24-April 2, 1960
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of Under Milkwood.

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Waiting for Godot
Fonds 426-2-81 · Deelreeks · 1968
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot

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Time Remembered
Fonds 426-2-45 · Deelreeks · 12-May-05
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of Time Remembered.

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The Visit
Fonds 426-2-57 · Deelreeks · February 22-March 3, 1962
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Visit. Also includes one program from the 1963 Yale production of the play.

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The White Geese
Fonds 426-2-112 · Deelreeks · May 23-30, 1974
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The White Geese

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Tom Jones Slept Here
Fonds 426-2-122 · Deelreeks · March 25-April 3, 1976
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Games of Tom Jones Slept Here.

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Tonight at 8:30
Fonds 426-2-107 · Deelreeks · March 22-31, 1973
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Tonight at 8:30

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The Wild Duck
Fonds 426-2-136 · Deelreeks · March 29-April 7, 1979
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Wild Duck

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Thieves' Carnival
Fonds 426-2-163 · Deelreeks · 1983
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Thieves' Carnival.

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Time of the Lilacs
Fonds 426-2-75 · Deelreeks · 1966
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Time of the Lilacs.

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The Skin of Our Teeth
Fonds 426-2-152 · Deelreeks · June, 1905
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Skin of Our Teeth.

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The Suicide
Fonds 426-2-169 · Deelreeks · June, 1905
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Suicide.

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The Tender Trap
Fonds 426-2-94 · Deelreeks · 1971
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Tender Trap

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The Ticket of Leave Man
Fonds 426-2-97 · Deelreeks · 1971
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Ticket of Leave Man

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The Tempest
Fonds 426-2-161 · Deelreeks · May 30-June 4, 1983
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Tempest.

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The Threepenny Opera
Fonds 426-2-147 · Deelreeks · 1981
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Threepenny Opera.

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The Shipbuilder
Fonds 426-2-144 · Deelreeks · 1980
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Shipbuilder.

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The Three Sisters
Fonds 426-2-73 · Deelreeks · 1966
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Three Sisters.

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The Trojan Women
Fonds 426-2-74 · Deelreeks · 1966
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Trojan Women.

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The Merchant of Venice
Fonds 426-2-53 · Deelreeks · ########
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Merchant of Venice.

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The Medium and the Telephone
Fonds 426-2-61 · Deelreeks · 1962
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Medium and the Telephone.

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The Murder of August Dupin
Fonds 426-2-142 · Deelreeks · 1980
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Murder of August Dupin.

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The Miser
Fonds 426-2-83 · Deelreeks · 1968
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot

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The Rimers of Eldritch
Fonds 426-2-126 · Deelreeks · March 29-April 6, 1977
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Rimers of Eldritch.

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The Rivals
Fonds 426-2-154 · Deelreeks · June, 1905
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Rivals.

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The Seagull
Fonds 426-2-103 · Deelreeks · 1972-1973
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Seagull.

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The Plough and the Stars
Fonds 426-2-93 · Deelreeks · 1970
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Plough and the Stars

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The Male Animal
Fonds 426-2-32 · Deelreeks · 1956
Part of Studio Theatre fonds

Sub-series consists of records documenting the production of the University of Alberta Studio Theatre's production of The Male Animal.

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The Lesson
Fonds 426-2-52 · Deelreeks · 1960
Part of Studio Theatre fonds

Sub-series consists of one program for Studio Theatre's performance of The Lesson.

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The Lark
Fonds 426-2-41 · Deelreeks · 1958
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Lark.

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The Little Foxes
Fonds 426-2-120 · Deelreeks · 1975
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Little Foxes.

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The Lonely Road
Fonds 426-2-127 · Deelreeks · April 29-May 7, 1977
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Lonely Road

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The Matchmaker
Fonds 426-2-40 · Deelreeks · March 26-29, 1958
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Matchmaker.

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The Hostage
Fonds 426-2-146 · Deelreeks · November 27-December 6, 1980
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Hostage.

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The Inspector General
Fonds 426-2-46 · Deelreeks · 1960
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Inspector General.

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The Firebugs
Fonds 426-2-86 · Deelreeks · March 25-29, 1969
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Firebugs.

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The Games of Love and Chance
Fonds 426-2-121 · Deelreeks · 1976
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Games of Love and Chance.

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The Ecstacy of Rita Joe
Fonds 426-2-96 · Deelreeks · October 21-30, 1971
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Ecstacy of Rita Joe

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The Firebugs
Fonds 426-2-132 · Deelreeks · 1978
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Firebugs.

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The Good Doctor
Fonds 426-2-162 · Deelreeks · October 20-29, 1983
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Good Doctor.

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The Injured
Fonds 426-2-115 · Deelreeks · 1975
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Injured.

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The Bard's Birthday
Fonds 426-2-67 · Deelreeks · ########
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Bard's Birthday.

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Fonds 426-2-159 · Deelreeks · 1983
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Deer and the Antelope Play.

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The Balcony
Fonds 426-2-101 · Deelreeks · October 26-November 4, 1972
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Balcony.

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The Birthday Party
Fonds 426-2-141 · Deelreeks · 1980
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Birthday Party.

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The Browning Version
Fonds 426-2-51 · Deelreeks · ########
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Browning Version.

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The Cave Dewllers
Fonds 426-2-119 · Deelreeks · October 23-November 1, 1975
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Cave Dwellers.

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The Cherry Orchard
Fonds 426-2-90 · Deelreeks · March 27-April 14, 1970
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Cherry Orchard

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The Country Wife
Fonds 426-2-110 · Deelreeks · 1973
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of The Country Wife.

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The County Girl
Fonds 426-2-34 · Deelreeks · November 21-December 1 1956
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Country Girl.

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Songs For Believers
Fonds 426-2-130 · Deelreeks · 31-May
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Songs For Believers.

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Sticks and Stones
Fonds 426-2-113 · Deelreeks · October 24-November 2, 1974
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Sticks and Stones.

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Tartuffe
Fonds 426-2-166 · Deelreeks · 1984
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Tartuffe.

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She Stoops to Conquer
Fonds 426-2-133 · Deelreeks · 19-1978
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of She Stoops to Conquer.

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Ten Lost Years
Fonds 426-2-181 · Deelreeks · March 26-April 4, 1987
Part of Studio Theatre fonds

Sub-series consists of production and promotion records for Studio Theatre's performance of Ten Lost Years.

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The Adding Machine
Fonds 426-2-50 · Deelreeks · November 24-December 3, 1960
Part of Studio Theatre fonds

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Adding Machine.

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