Affichage de 379 résultats

Description archivistique

University of Alberta Archives Wilfred Watson Fonds

Typescripts of poems and miscellaneous prose (continued):-typescript "La belle dame sans merci"-typescript carbon "a left-handed apology to tac tanabe"-typescript "Let me not", with manuscript revisions-typescript "Lines" ("I dreamt I stood") with dedication "For Shuswap Wlp"-typescript "Lines" ("I work at the work") with dedication "For Slp. Wilfred"-typescript "Lines" ("I write this, not on the stones")-typescript "Lines"("This night a yellow yellow moon", with one manuscript revision-typescript "Lines" ("Upon St David's day")-typescript "Lines for St. David's Day")-typescript "Lines: I praise God's mankind in an old woman" (with return envelop postmarked Jan 7 1954)-typescript "Lines on Rembrandt's Painting"-typescript "Lines propounding"-two typescripts of "Love Song for Friday's Child"-typescript "Maud: a dirge for a Prime Minister's Lying in State"-typescript carbon "the machine gun"-typescript "Marvell deconstruction"-typescript "May the unsleeping"-typescript "Mettre en conte le dream" (19 pp. with va

Four pp. manuscript and several original typescript versions, with extensive manuscript/typescript revisions pasted or written in the 1988 "Epilogue" to Cockcrow and the Gulls

Cockcrow and the Gulls - six pp. of manuscript and two typescripts (18 pp and 56 pp), the latter with extensive manuscript revisions

Cockcrow and the Gulls - Copy of play

Cockcrow and the Gulls - bound typescript; some manuscript revisions (two copies)

Wail for Two Pedestals - typescript of play

Two Teardrops frozen in the rear-view mirror (unpublished play) - Photocopy of typescript

O holy ghost, dip your finger in the blood of Canada, and write, I love you" (Studio Theatre, 1967; published 1988) "O holy ghost" - photocopied typescript with some manuscript revision; original typescript and unpublished leaflet distributed at performance

O holy ghost- typescript copy with manuscript revisions and rehearsal notes.

Soul is my Button - photocopy of full typescript of play as produced at Acadia Playhouse 1969 with manuscript revisions

Let's Murder Clytemnestra - Fourteen pp. typescript with manuscript revisions, including unpublished dedication, one ditto master, title variations

Let's Murder Clytemnestra - Fourteen pp. manuscript draft and seven examination booklets with manuscript draft

Gramsci x 3 - extensive manuscript drafts of various passages

Another Bloody Page from Plutarch - typescript

Blancnoir - differently titled versions of Blancnoir:-carbon with original manuscript emendations of version titled The White Rhodesians-carbon typescript of version titled The Harlequin

Blancnoir - original typescript, 125 pp., of version titled Blancnoir yes/jocaste non

Leda and the Swan - examination booklet and one sheet of loose-leaf, along with two pp. original typescript of materials for play

The Headaches - two different versions, including some different characters, of play

Mini-opera: The Coats - manuscript draft of scenario for play, 2 pp.

Manuscript draft of argument and dialogue for a play about Bulon and Trill

The Suicide of Herman Korp - two examination booklets with manuscript draft of materials for play

Manuscript draft in two examination booklets of unidentified short story

Photocopied typescript of "short story" ("There was an old man from Ontario")

Photocopied typescript and manuscript draft of an unpublished short story, "Resentment"

Manuscript draft in examination booklets and one-page typescript draft of beginning of short story "The mysteries at the Sherlock Holmes Club"

Original typescript of first pages of "The Glass Box" with extensive manuscript revision and copy of fair typescript titled "The girl who lived in a glass box"

Essays on Marshall McLuhan and reviews, including the following:-typescript page (notes for a talk on McLuhan?)-two examination booklets with notes about McLuhan (notes for a talk?)-typescript with manuscript revisions of essay, "McLuhan's methodological wordplay" (written for a volume of essays planned for Coach House Press but not published)-typescript of essay "Marshall McLuhan and multi-consciousness: the Place Marie dialogues" with covering letter from Robert Kroetsch at Boundary 2 re reading of proofs-one page of typescript "Why Pluck is the most important word in Shakespeare" (published in Explorations)-four copies of typescript of review by Watson of Understanding Media-two copies of typescript of another review by Watson of Understanding Media-manuscript draft in examination booklet of a letter to the Edmonton Journal re its comments on McLuhan

Typescript drafts for "From Cliche to Archetype"

From "Cliche to Archetype"-manuscript draft, 9 pp.-brown hardcover notebook titled "July 12 1968 C/A is Today is C/A (drafts of material for the book, but also of other work-manuscript draft, 4 pp.

Materials related to "From Cliche to Archetype" and essays about McLuhan:-typescript draft with manuscript corrections of essay, "Retrospective on Cliche"-typescript draft with manuscript corrections of essay on "McLuhan's Collective Wordplay", 2 pp.-manuscript draft (cardboard sheet) of the "two McLuhans"-manuscript draft of essay on "McLuhan's Postmodern Satire" mixed with number-grid verse, 33 pp.-typescript draft "MM and invortication", 2 pp.-manuscript draft of "Retrospective on Cliche", 4 pp.-miscellaneous manuscript pages with drafts of essays about McLuhan-three typescript drafts of a letter re McLuhan in Dewline

Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.

Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S

Miscellaneous manuscript and typescript materials:-manuscript draft of paragraph on poets and metaphor-typescript page, with manuscript revisions "A note on radical absurdity"-manuscript draft of description of the "main theme" of Under the Rabbit's Paw-examination booklet with draft dialogue between Job and the devil-manuscript draft of plan for Studio Theatre Centennial project-manuscript listing of pictures owned by the Watson's-manuscript in examination booklet about Margaret Atwood's The Edible Woman-manuscript draft in examination booklet about Esslin's theory of theatre of the absurd-manuscript draft of poem "Some girl asked for bread"-manuscript draft of remarks on the centennial year and Canadian theatre (examination booklet)-manuscript draft of poem, "I dreamt of a vast desert"-manuscript draft of poem, "Let alone the moon"-"A portfolio of sketches of the author of DH [Double Hook] by Augustus Johns, Wyndham Lewis Picasso etc." (drawings)-portrait of Margaret Atwood (felt pen drawing)-typescript and

Loose manuscript papers:-manuscript fragment ("Which no one owns")-stapled grid-lined notepad with WW's notes on driving, motor vehicle and road rules-grid-lined manuscript page beginning "the autobiography of Tom Horror"-manuscript fragment ("around. One knows that the logs")-grid-lined manuscript page with letters of the alphabet-manuscript draft "Descartes thought of animals"-"Leda" letterhead with manuscript fragment "I think of noble Emerson's"; manuscript draft of number-grid verse poem on verso, "the creative imaginations"-cardboard beginning "It makes all the difference"-manuscript fragment titled "Catechism"-examination booklet containing manuscript "Poem for October"-manuscript "For Adam was my father"-examination booklet containing manuscript "A Valediction for Joyce"-manuscript fragment "What dire offence"-thirteen page manuscript relating to number-grid verse poems on From Cliche to Archetype-letterhead with manuscript fragment ("why pluck is the most important word in Shakespeare")-letterhead wi

Miscellaneous manuscript notes on cigarette packages

Two brief academic papers written by WW re Marshall McLuhan

"The Fifth Commandment: Some Allusions to Sir Robert Filmer's Writings in Tristram Shandy" (reprint) 1940"The Queen of Tarts" in Contemporary Verse, Number 38, Summer 1952, pp. 18-19"An admiration for Dylan Thomas" in Fiddlehead, February 1954"A Contempt for Dylan Thomas" in The Paris Review, Summer 1955

Wail for Two Pedestals in Humanities Association Bulletin, Fall 1965; three offprints of Wail for Two Pedestals

"Seven Variations" and "The Lions" in Pumpjack, No. 1, June 1966, pp. 12-14; two copies

"The Canadian Fact" in White Pelican, 2.1, Winter 1972; two copies

"The Lice" in Stories from Western Canada, ed. Rudy Wiebe, Toronto: Macmillan Company of Canada, 1972

"I Begin with Counting" in The Canadian Forum, Vol. LVIII, No. 685, Oct./Nov. 1978

"Four Times Canada is Four" in Rainshadow: Stories from Vancouver Island, eds. Ron Smith and Stephen Guppy, Victoria: Sone Nis Press, 1982; one additional photocopy

Newsclippings - reviews and publicity

Correspondence.

UAA-1999-034

Poems by Jenny Blake; bound manuscript; manuscript alternate titles "dancing to their flute", "vowels pitches"Photocopy of manuscript prepared by Sheila Watson (with notes about original publications) for the bawl of wool section of Collected Poems (some poems in manuscript omitted from the Collected Poems

Drafts and final versions of earlier poems:-typescript of "A is for Amlit, from Walt Whitman to Robert Coover-typescript of "A is for Apple and also for Ape"-typescript of "Albatross over Sooke Harbour"-four drafts and one manuscript draft of "for Alfred Hayley drowned returning from Thornby Island"-typescript of "An Anatomy of Critics"-typescript "For Anne, Who Brought Tulips"-typescript "An Anniversary for time's poet Dylan Thomas"-copy of Canadian Forum publication (1940) of "Armed Merchantman"-four typescript drafts, with manuscript emendations, of "Invocation" ("Appear O mother")-typescript of "Ballad" ("I took my heart to the river")-carbon typescript of "The Ballad of Faustus"-two typescript drafts of "Ballad of the fox and the owl"-carbon typescript of "Ballad of Jack Shadbolt"-two typescript drafts of "The Ballad of the white bird"-typescript of "Because without you/The night is always empty"-six typescript drafts of "the blackberry pickers"-typescript of "The blue-eyed tree"-typescript of "The Boar

A bawl of wool: pomes by Jenny Blake, typescript of poem collection, with some manuscript emendations, collected by WW, and including the following poems:-pome of not drawing roses-pome for a dead soldier-pome of a girl-pome of a church-pome of mirrors-pome of windows-Jenny Blake's pome of spring-pome of maidenheads-pome of drawing water-Jenny Blake's pome of thoughts-pome of hair-pome of rain-pome of emblems-pome of honour-pome of glory-pome of darkness-Lines of flesh and bones-pome of drawing tigers-pome of waxwings-pome of shame-pome for Adam-Lines of glory-pome of cuckolds-pome of autumn-pome of Helen of Troy-pome of Venus-pome of maids of honour-pome of a wire bridegroom-pome of the unicorn-pome of nothingness-pome of the she-pit-lines of rape-pome of fire-pome of brassieres for the breasts of wisdom-pome of love's brass finger-pome of smells-Lines of iron-Lines of thought-pome of a girl-Lines in my flesh-Lines of seeing-lines of grief-lines of a maiden-ape of God-Song ("There blossoms forever")-Lines on

Earlier poems continued:-typescript "O love the sour smell of burnt wood"-typescript "The ontarioloy of poemism"-typescript "Orpheus and Eurydice"-typescript "The other mother"-typescript "The paradox"-typescript "Paris to Helen of Troy"-typescript "The parrot"-typescript "Pasiphae"-two typescript versions "The pig"-six typescript and three manuscript drafts "Poems grow tired of us"-typescript "Poem of myselves the figleaves"-typescript copy "Lines pro-pounding"-typescript "Proserpina I: The flower"-typescript "Proserpina II: Marriage with death"-typescript Pumpkin"-typescript "On a recent performance of Tennessee Williams' Summer and Smoke"-typescript and carbon of a different version of "Scaffold of children"-typescript "A scientist reflects on anti-inspiration of Daryl Hine"-typescript and carbon of a different version of "A sermon on bears"-typescript "lines of seeing"-typescript and carbon of a different version "Seven variations on a theft by George Barker"-carbon typescript "A short litany"-typescript

Tables of contents for a Jenny Blake collection and carbon typescript of a very few of the poems for it, including the following:-pome of words-pome of the falseness of pictures-pome of a husband-lines of flesh and bones-what do I, Jenny Blake, know/of the life of Maria Egyptiaca-Persephone's black husband Pluto-Paradox-Lines upon a naked line

Typescript of two poems, "I think I have gone one better than Milton" and "November the ninth"

Typescript of collection of poems titled Bicycle with two different tables of contents and original typescript of pp. 104-161, with some pp. missing. This collection comes at WW's transition from the Jenny Blake poems to the choric verse of Sorrowful Canadians. It includes original typescripts of the following poems:-"To Irving Layton"-"The magical body"-"The long, cool seminars"-"letter to a helicopter"-"Viet Cong Chorale"-"sons of Oedipus"-"the porcupine"-"rain"-"prostitution of Canada in an age of leisure"-"no vision"-"portrait of a girl with leaf"-"four letters"-"portrait of the artist during centennial year"-"Lord Jesus, forgive us"-"the dead sunflowers"-"Jack's death"-"I prepare my grave in quicksand"-'the dirge"-"the verse reading"-"the trojan horse"-"resurrection"-"the suicide"-"Je choisis vos sonnets qui sont plus doloureux"-"the sucked and hungry lioness"-"the common cold"-"conflagration"-"such welcome and unwelcome things at once"-"what are you doing all the other day"-"portrait of the student body

The Sorrowful Canadians and Other Poems - photocopied collection, including the following poems:-"lines 1964" ("the black mouth of the dog")-"poem summer 1967" ("the long sorrow")-"lines 1967" ("there will be no more money")-"lines summer 1967" ("I prepare my grave in quicksand")-"lines 1967" ("hanoi is here")-"lines January 1971 ("pour moi, j'ai retire mes pieds")-"poem 1970" (" my wild body is a corpse")-"Antigone aux salesmains"-"lines 1968" ("an excess of overkill")-lines winter 1971 ("the while pelican mountains")"the sorrowful Canadians"

A Bawl of Wool: Pomes by Jenny Blake-typescript of poems with manuscript revisions

Friday's Child material filed together by Wilfred Watson:-typescript of Vernon Watkins, "Pledges to Darkness" from The Death Well-typescript of "Lagoon" with manuscript epigraph and date (1955)-carbon typescript of "Here at Vancouver" (July 1955)-carbon typescript of "A Lullaby for Falstaff"-typescript of "A Canticle for Children" with manuscript revisions-typescript of "utter the images of doom"-typescript of three versions of "Christmas Eve: Edmonton 1954"-typescript of TESTIMONY by Vernon Watkins"-typescript of "Lines for my four nieces"-manuscript letter from WW to "Whom it May Concern", making Sheila Watson his literary executor (April 17 1955)-typescript of two drafts with manuscript revisions of letter to Ann Taylor, editor, McClelland and Stewart offering Friday's Child (August 3 1953)-four typescript versions and two manuscript versions of undated letter addressed "Dear Sir" offering Friday's Child-typescript of "The Fallen Cedar", with manuscript signature and note "Point Gray, B.C."-typescript of "

Loose-leaf typescript and manuscript versions of choric poems (generally of The Sorrowful Canadians period:-two typescript version of "all the days of my life I have offended the moon"-manuscript of "an excess of overkill"-three typescript versions of "answering service")-four typescript versions of "they inked in my intestines"-manuscript of "the ballad of northrop frye"-three typescript version of "the beautiful sea things with nineteen legs"-typescript of "because I do not hope to flower again"-typescript of "lines 1967" ("the belly of the dragon")-typescript of "lines January 1967" ("portrait of the artist during centennial year")-three versions of typescript over drawing "build one bomb and get two bombs"-manuscript of "A compassion for Irving Layton"-typescript of "construction" ("the aim of the man of action")-typescript of "construction" ("their breasts bulging")-typescript of "construction with driftwoods"-typescript of "construction with herring bones")-one manuscript and two typescript versions of

At the Iron Bridge-manuscript draft of dedication to Gordon Peacock-typescript of "Plays at the Iron Bridge: (epigraphic poem)

Typescripts of two poems bound together, "Essay on Criticism" (original) and "Albatross over Sooke Harbour" (carbon)

Poems submitted to and returned from The London Magazine (?), including typescripts of the following poems"-"The white bird"-"Yeats and Maud Gonne"-"Of Henrickje as Bathsheba"-"Semele"-"The Windy Bishop"-"Firm to the Scaffold"-"Ghosts"-"Lines: Toronto lies at the heart"-"In the cemetery of the sun"-"And should she ask"-"A Curse of Dahlias"-"In November"-"O Canada"-"Love Song"

Poem for 2 rain drops frozen dead on the rear view mirror - typescript and carbon copy with some manuscript notations.

Canvasses Point Gray - book length unpublished manuscript of poems; carbon copy. I Begin with Counting/ Number-grid Poetry

Photocopies of typescript of 118 pp. collection titled: "no. [i.e. number-grid] poems 1976/1978" 'Improvisations; constructions for two or more voices'.

Improvisations; constructions for two or more voices - bound copy of typescript with manuscript dedication to Diane Bessai.

Script for Tom Peacocke production with "number grid kids" of I begin with counting

I begin with counting - page proofs.

Sixteen pages of unidentified number-grid poems, both manuscript and typescript.

Number-grid versions of Shakespeare sonnets 25-121, using one or two words per line for each of fourteen slots

Number-grid verse poems:-two versions typescript "January 23, 1977 - Yates and Molinari"-two typescript versions of "8/122"-one fragment (pg. two)

Manuscript and typescript pages of number-grid verse including the following poems:-"Driving with Graham McEwen"-"riddle: those who say they love me"-"for Anne, who brought tulips"Also includes blank WW letterhead (with drawings, etc.)

I begin with counting - carbon typescript of draft table of contents

Manuscript and typescript drafts and versions of number-grid verse"-typescript "there are moments in our lives"-manuscript "there is a tide in the affairs of men"-manuscript "best of all he loves nature poetry"-manuscript "man and bird the heron and the tugboat"-typescript "there is no penance due to innocence deconstructed"-manuscript "there are such troubles"-typescript "re those of us who lead lives of quiet desperation"-typescript "thoughts in the snow storm of February 20 1980"-typescript "thoughts of the great lone land"-typescript "the three sisters"-manuscript over drawing, "the tide rises/a girl"-typescript "re tides and earthquakes"-typescript "time moves past into time future"-manuscript "the tin soldier"-typescript "tombeau"-typescript "au tombeau de george fall"-typescript "in the tribal village king herod is global king"-typescript "re two-headed poems"-manuscript (notebook) and typescript "two or three bare boards"-typescript "re an unborn mistress"-typescript re an unwritten novel"-typescript

Number-grid poems, Series 9

Number-grid poems, Series 10

Loose-leaf materials removed from Series 6 Notebook (91-117-413)-postcard from Heesoon Bai-manuscript draft of poem, "the thesis is play"-manuscript notes on "leisure"

Number-grid poems, Series 7

Number-grid poems, Series 5

HN2Q Honku Book 2, Series 2

HN3Q, Series 3

Number-grid poems, Series 18

Number-grid poems, Series 13

Number-grid poems, Series 19

Number-grid poems, Series 14

Number-grid poems, Series 16

Number-grid poems, Series 17

Various loose manuscript and typescript pages relating to "riddle" poe manuscript

Poems: Collected/Unpublished/New (Book of poetry)Drafts of section headings, titles, and dedications for Collected Poems.

Four Notebooks of Haiku poetry

Number-grip poems, Series 21

Number-grid poems, Series 20

Cockcrow and the Gulls - Copy of play; not many revisions

Cockcrow and the Gulls - Copy of play

Cockcrow and the Gulls - program notes written by Ian Sowton, with manuscript note from Sowton to Watson appended to the end of it; includes a carbon typescript of :"Director's Note" by Gordon Peacock

"Wail for Two Pedestals" (Yardbird Suite, 1964; published 1965).Wail for Two Pedestals - typescript "draft from which the published version was made" with information from performance

Wail for Two Pedestals - typescript of play

."Chez-vous Comfortable Pew" - manuscript material(Yardbird Suite, 1964; published 1965).

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