Type of entity
Authorized form of name
Nick Carter Dime Novel
Parallel form(s) of name
Standardized form(s) of name according to other rules
Other form(s) of name
Identifiers for corporate bodies
Dates of existence
Introduced to American readers in 1860 by Irwin P. Beadle, the dime novel quickly grew in popularity, due to increased literacy rates, improved transportation systems, and mechanized, mass printing. England's version of the dime novel was the "penny dreadful", and these forms of paperback fiction, issued at regular intervals and priced at 10 cents an issue, were popular on both continents.
The dime novels were intended for the youthful, working-class population, and some series were eventually priced at only 5 cents, so as to make the weekly purchase more affordable for the average reader--typically, an adolescent working-class boy.
While the first dime novels contained extremely patriotic tales of Indians and pioneers, in the 1870s, different genres evolved, including detective stories, romances, urban outlaw tales, and "rags-to-riches" stories. The underlying theme of dime novel stories was that of sensationalism, and soon, the term "dime novel" came to apply to any fictional thriller released in serialised pamphlet form, regardless of the cover price. Well-respected authors' works were also reprinted in dime-novel format, including Jules Verne, Charles Dickens and Louisa M. Alcott, among others.
The most prolific publishing houses in the dime novel business were Beadle and Adams, which issued 25 series of novels, Frank Tousey, who issued 30 series, and Street and Smith, issuing 50 series.
The lurid cover illustrations were the novels' main selling point, along with familiar heroic characters featured in most series, usually having a catchy, alliterated name. Character development and continuity were secondary concerns to dime novel authors (of which there were many), and the practice of re-printing stories published in earlier dime novels was common. Many dime novel stories had also been previously published in the "story papers" that had been the choice of working-class readers before the introduction of the dime novel. The dime novel was meant solely as a light read, with enough action, suspense and heroic feats to keep the reader interested in buying the next issue. Today, they can provide us with unique insight into popular ideals and attitudes of late 19th and early 20th century America.
They can also provide us with a thrilling read.