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Ernest C. Manning fonds

  • 1981-32
  • Fonds
  • 1978 - 1982

Series illustrates the likeness of Ernest C. Manning from various sources, including newspaper articles, a cover of a biographical sketch by John Cashman, and a negative from the UAA. Series consists of 5 graphic materials that have been scanned and Photoshopped.

Manning, Ernest C.

Walter Edgar Harris fonds

  • 2012-27
  • Fonds
  • 1915 - 2011

This fonds contains the records of the University of Alberta chemistry professor Dr. Walter Harris. He was instrumental in the modernization of the University’s successful Analytical Chemistry program. Dr Harris was acclaimed for his work in chemistry education, scientific research, and committee service.

The materials date from 1915 to 2011. The records predominately date after Harris began his career at the University of Alberta in 1946. The collection is rich in teaching materials, including a number of lectures written verbatim, an abundance of lecture slides and audio visual recordings of Walter Harris lecturing, as well as a significant amount of Dr. Harris’ research papers and supporting information. The fonds also incorporates materials related to the history of the Chemistry Department at the University of Alberta. In addition, it provides insight into Harris’ book publications with related correspondence, revisions and notes. The fonds is abundant in records relating to Harris’ work as a committee member including meeting minutes, agendas, committee reports, and correspondence.

This fonds contains an array of document types including such textual materials as notes, correspondence, talks, programs, pamphlets, articles, cards, course materials, announcements, books, and personal history information. It also contains yearbooks, plaques, certificates and newspaper clippings, as well as a variety of media types including photographs, slides, negatives, lantern slides, a 16mm film, reel-to-reel audiotapes, a VHS videocassette, a u-matic video tape, and a CD-ROM disk. The fonds geographically pertains predominantly to Canada with some materials created in the United States, and a few materials generated in countries abroad. The materials related to Europe are from international conferences or committee travels taken by Harris.

Harris, Walter Edgar

Human Rights Institute of Canada fonds

  • UAA-2013-051
  • Fonds
  • 1928-2012

The Human Rights Institute of Canada fonds contains the records of the Human Rights Institute of Canada and its founder and president, Marguerite Ritchie. The Human Rights Institute of Canada is an independent, not for profit, non-partisan research group which conducts and promotes research into issues that impede equality for Canadians, as per the United Nations’ Universal Declaration of Human Rights, with a specific focus on women’s equality. This Institute was founded by Ottawa based lawyer, Marguerite Ritchie, a former lawyer for the Department of Justice and Vice-Chair of the Anti-Dumping Tribunal. The fundamental premise of the Institute was to provide expert legal research to the Canadian people in the same way that the Department of Justice gives legal advice to the Government of Canada. As founder and President, Marguerite Ritchie set the tone for the Institute and this fonds also contains her papers from before she founded the Human Rights Institute of Canada.

The materials in this fonds date from 1934 to 2013. Materials from the Human Rights Institute of Canada are from 1973 to 2013, while legal research materials date back to the 1700s. The fonds pertains predominately to Canada, with some research on the United States of America (USA), Europe, the Soviet Union (USSR), the Middle East, and Africa. With the exception of United Nations conferences and research on Israel, most of the research on other nations and regions is for a point of comparison for rights, equality, and politics.

The fonds contains three types of materials: those of Marguerite Ritchie from her personal life and career before she founded the Human Rights Institute of Canada, those relating to the functioning of the institute, such as administrative records, and those relating to the work of the Institute produced mainly by President Marguerite Ritchie. Documents from the work of the Human Rights Institute of Canada is the largest portion of the fonds. Materials produced by the Institute were generated mostly by the projects it was involved with, including tracking issues over the course of years and its efforts to publicise its research in the media and the government. This fonds does not contain working papers of volunteers. Function based Institute records document the Human Rights Institute of Canada’s founding, its procedures, funding, support, and organisation. Materials of founder Marguerite Ritchie contain research from her work at the Department of Justice and the Anti-Dumping Tribunal, Anti-Dumping Tribunal procedures, her personal experiences facing sexism and gender discrimination while working for the federal government. It also includes her personal research on women’s issues which she began while working for the Department of Justice and which became a life-long passion.

The Human Rights Institute of Canada addresses issues of women’s equality, human rights, the United Nations and international law, Canadian laws and equality, the functioning of government, equality in the justice system, the relationship between the federal governments and the provinces, and funding and support for the Institute. Major projects the Institute worked on to address these issues include Persons Case II, Senate reform, the Meech Lake Accord and Charlottetown Accord, status equality for aboriginal women, the Expropriation of Nanoose Bay, the Royal Commission on Aboriginal Peoples and the high arctic relocations, the Royal Commission on the Status of Women and following the development of the status of women, Quebec separatism, and the Official Languages Act and bilingualism. The most common document types are newspaper clippings, memorandum, correspondence, press releases, reports, legislation, House of Commons and Senate debates, committee minutes and proceedings from Parliament, promotional materials, and government publications. Newspaper clippings are mostly annotated with citations and marginalia. The fonds also contains a significant number of Dialogue magazines; Marguerite Ritchie was a long time contributor to this magazine, which publishes reader contributed articles on political and social issues from a variety of perspectives.

Ritchie, Dr. Marguerite E.

David McKnight Fonds

  • PS 8237 M6 D38
  • Fonds
  • [197-]-2012

Fonds consist of David McKnight’s Canadian Little Magazine and Small Press archive, reflecting his interest in documenting the history of this genre of Canadian publishing, and include the pioneering work in the field done by Wynne Francis whose research files form part of the fonds. Through both of their collecting, the David McKnight fonds consists of materials which cover the history of Canadian small press publishing from 1923-2010.

The designation of the series was arrived at after considering the ordering of the material as it was received at Bruce Peel Special Collections. It was clear that there was an original ordering of the files, often according to an alphabetical or chronological scheme, and the files had titles. David McKnight separated his files broadly into those associated with his mentor and advisor, Wynne Francis, and his own research/collection files, and as much as possible, this structure is maintained. Series titles were arrived at after considering the collection in its entirety, and the apparent order implied by McKnight’s file listings and comments. The material was received in two shipments, but was intended as one donation, so some assignment of series and file titles, combining the material in the two shipments, was necessary. The records are almost all textual, although there are three microfilm reels, two cassette tapes, and two photographs.

Taking into consideration both the information provided by David McKnight in a letter to the Head of Bruce Peel Special Collections, and the contents of the records received, six series and several sub-series were established to better facilitate access to the collection.

Dorothy Livesay Archives

  • PS 8523 I95 Z46
  • Fonds
  • 1919, 1924-1974

Fonds reflect Dorothy Livesay's earlier work as a poet and consist of poetry manuscripts and typescripts, business correspondence, and typescript drafts of several publications. These records span from 1919 to 1974 and are arranged into four series: Poems: Typescripts and Manuscripts; Poems: Notebooks; Correspondence with Ryerson Press; and Publication Drafts and Author's Prints.

Livesay, Dorothy

Clennell 'Punch' Dickins fonds

  • TL 540 D53 C64
  • Fonds
  • 1910s to 1990s

Includes photographs, as well as correspondence and miscellaneous materials from Dickins' professional and military career, plus personal memorabilia.

Dickins, Clennell Haggerston ('Punch')

Violet Archer fonds

  • Fonds
  • 1925-2000

The Violet Archer fonds span a period of over seventy years, and provide a valuable record of the composing, research, teaching and life experiences of a noted University professor and internationally recognized composer of music. The Violet Archer fonds is unusually complete, with intact records that illustrate both professional and personal facets of her life. As noted in the introduction, the Archer records, except for her original compositions and scores, arrived at the University of Alberta Archives without much evidence of original order or organization. While her scores and musical compositions had been listed and numbered by James Whittle, Department of Music librarian at the University of Alberta, the remainder of her records was transferred in large boxes to the Archives from her home in Ottawa. Boxes were labeled as coming from her basement, piano bench, bookshelves, etc. but were pretty mixed in each box. A large volume of the textual records is comprised of correspondence, and while the correspondence tended to be boxed together, within any single box would be a range of letters spanning any number of years. Correspondence from the 1950's was interspersed with correspondence from the 1990's. Each letter appeared to be methodically opened with a letter opener, read, and returned to the envelope (even Christmas and birthday cards were returned to their envelopes). Other like records were often boxed together; teaching files in single boxes, and boxes containing books, others with sound recordings, etc., providing the only evidence of extant original order. The large volume of records received, however, essentially loose and unorganized, necessitated the imposing of order by the archivist. Two page series were determined, that of professional and personal papers, and several sub-series delineated within each of these two series. Series One Professional and Career-related papers, are the largest of the two series and are organized into several sub-series. The sub-series designations are based on the contents of the records, and often chronological in terms of order within each sub-series. Within Series One are student records (Archer as student); teaching records, chronicling her years on faculty at North Texas State College, the University of Oklahoma, and the University of Alberta; correspondence files; composing records; and reference records. The sub-series are substantial in size, and provide a wealth of information about Archer's professional life. Within the correspondence files, there is outgoing and incoming chronologically arranged correspondence, letters with identified individuals, reference letters, correspondence with associations and organizations, and publishing project and music dealer correspondence. The composition and composing sub-series of records is further organized into performing rights organization records, music publishers contracts and correspondence, conference and workshop records, performances, honors and awards, and original Archer compositions. The sub-series of reference material is also extensive, and includes listings of the imprint, books, music by other composers, and a collection of sound recordings maintained by Archer. Of especial significance, are the files of original Archer scores and compositions. A significant number of her compositions are represented in these holdings, and provide evidence about the steps and processes involved in creating a piece of music from manuscript beginnings to a final published piece of music. Series Two, Violet Archer's personal papers, while much smaller in extent than Series One, provide a fascinating glimpse of the person behind the public persona of professor and composer. Her personal correspondence files, particularly the incoming and outgoing correspondence with her younger sister Carolyn, document the emotions, struggles, triumphs and challenges she faces as a woman functioning in a very male-dominated field and time period. Carolyn is the one person that Violet freely confides in, and she shares thoughts, feelings, and philosophies with her sister that are only touched upon in the other records housed in the fonds. Rounding out the personal records in Series Two are other correspondence files, financial records, insurance records, artwork, and a large photographic sub-series. The Violet Archer fonds provides numerous research opportunities. Students of music history, composition, and theory will find the records valuable, as well as individuals interested in researching a woman's career path in pre-and post-second world war North American society. There are records related to the music scene in both the U.S. and Canada, letters exchanged with well-known musicians, colleagues, writers and students; and many documents associated with the music publishing industry. The growth of the University of Alberta's music department is documented in the records, as is the growth of Canadian music organizations. The completeness, extent, and condition of the Violet Archer fonds ensure its strong informational and evidential research value.

Archer, Violet