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Studio Theatre
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Studio Theatre

  • Fonds
  • 1949-2009

The records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

Torches Theatre

UAA-1993-088

Studio Theatre Production Books

Department of Drama

UAA-1976-067

Photographs of Studio Theatre productions

Studio Theatre

Related Theatre Records.

The University of Alberta Alumni Studio A was registered as a Society on May 4th, 1956. Membership was open to any person who was an alumnus of the University of Alberta provided their membership was approved by a majority vote of the Board of Directors. The Board of Directors, consisting of a President, Vice-President, Secretary-Treasurer, and two directors met monthly, while general meetings were planned annually. The head of the Studio Theatre was an ex-officio member of the board during his term of office. Studio Theatre provided rehearsal space, underwrote the expenses of the plays, and had a share of Alumni Studio's profits. The alumni who joined this organization were often Drama Department graduates who wished to remain involved with the University theatre scene. The Alumni Studio players staged productions during the Studio Theatre season, Alumni Players acting alongside current University of Alberta drama students in regular season productions. The Alumni Studio A Society appears to have functioned until the mid-1960's, and gradually dwindling out as Studio Theatre focused more on students in the drama program filling all the positions related to the production. While very brief, the Alumni Studio A records that follow provide a variety of information on the Society.

Torches Theatre opened in June of 1962 as an outdoor summer theatre. It was an idea of Gordon Peacock's, based on his experience of seeing Shakespeare staged in the open at Central Park in New York. Torches Theatre was situated in the south courtyard of Corbett Hall, which permitted access to the Studio Theatre switchboard for lights and power. The entrance to the courtyard was marked with two burning torches that prior to the performance were placed on either side of the stage; hence the name "Torches" Theatre. The outdoor stage was a raised platform, four feet high with steps up to it and levels above it for a second story. The audience, which could number over 200, sat on wooden chairs on the lawn; in case of rain, the theatre was moved indoors to the Studio Theatre stage. Productions played nightly and were usually staged from early July until mid-August. Productions staged in the first summer at Torches included Dark of the Moon, Under Milkwood, and Our Town.

Torches was a semi-professional theatre; a 1967 press release states that: "each acting fellow will be paid $75.00 per week for the performance period and $50.00 per week for the rehearsal periods." This press release advertises pay rates for positions in acting, production and box office. By 1967, the Torches productions were touring the province, performing in a number of communities in Alberta prior to their regular summer season.

The Torches records consist of eighteen production books dating from 1962 to 1969. They provide valuable information about the Torches summer productions, and are listed below.

The files are arranged chronologically by date of production.

Public Relations and Promotion.

  1. Photographs: The photographic material is organized as a separate sub-series because of the nature of several deposits of photographic material made to the Archives over the years. Photographs of individual productions were donated, along with more general and undescribed photographic material. For purposes of conservation, any loose photographs placed in the production files were removed and described in this series under their production title. For the most part, the photographs are black and white copy prints, often accompanied with negatives and contact sheets.

The production photographs often consist of both posed publicity shots, as well as candid shots taken during the production. The photographs were used for publicity and advertising purposes and were handled often resulting in some frayed edges and dog-eared corners. Studio Theatre used the same photographers from one production to the next, and names of photographers are sometimes stamped on the back of the photographs.

Photographs have not been removed from the production books described in Series III. In these books, the photos have often been glued or taped into the books, along with printed descriptions. The file listing for Series III indicates which books contain photographs, how many, and whether a color or black and white format.

The divisions created within this sub- series reflect the provenance of separate donations, and include:

A. Eric Beaumont negatives - Eric Beaumont was a professional photographer who had an arrangement with Studio Theatre to photograph their productions and print copies for anyone wanting them.

B. Contact prints - donated to the Archives by Photo Services, who also had an arrangement with Studio Theatre to photograph and make available production prints.

C. Production photographs - Some were deposited as separate production photos, while others were separated from the production files. Included are two bound books of production photographs (the photos are glued in the books) from 1950-51 and 1951-52 Studio Theatre seasons.

  1. Posters: The posters, arranged chronologically by production, are listed and described individually; size and colours are indicated. When possible, more than one copy of a poster is retained. Small posters are sometimes folded and affixed to the production books.

  2. Sound Recordings: There are only four sound recordings, and two of these are CKUA broadcasts that relate directly to Studio Theatre. The tapes are described individually.>

  3. Scrapbooks: There is one scrapbook, containing a mixture of media, relating to the Department of Drama generally, Torches Theatre and Studio Theatre.

Related Theatre Records

The University of Alberta Alumni Studio A was registered as a Society on May 4th, 1956. Membership was open to any person who was an alumnus of the University of Alberta provided their membership was approved by a majority vote of the Board of Directors. The Board of Directors, consisting of a President, Vice-President, Secretary-Treasurer, and two directors met monthly, while general meetings were planned annually. The head of the Studio Theatre was an ex-officio member of the board during his term of office. Studio Theatre provided rehearsal space, underwrote the expenses of the plays, and had a share of Alumni Studio's profits. The alumni who joined this organization were often Drama Department graduates who wished to remain involved with the University theatre scene. The Alumni Studio players staged productions during the Studio Theatre season, Alumni Players acting alongside current University of Alberta drama students in regular season productions. The Alumni Studio A Society appears to have functioned until the mid-1960's, and gradually dwindling out as Studio Theatre focused more on students in the drama program filling all the positions related to the production. While very brief, the Alumni Studio A records that follow provide a variety of information on the Society.

Torches Theatre opened in June of 1962 as an outdoor summer theatre. It was an idea of Gordon Peacock's, based on his experience of seeing Shakespeare staged in the open at Central Park in New York. Torches Theatre was situated in the south courtyard of Corbett Hall, which permitted access to the Studio Theatre switchboard for lights and power. The entrance to the courtyard was marked with two burning torches that prior to the performance were placed on either side of the stage; hence the name "Torches" Theatre. The outdoor stage was a raised platform, four feet high with steps up to it and levels above it for a second story. The audience, which could number over 200, sat on wooden chairs on the lawn; in case of rain, the theatre was moved indoors to the Studio Theatre stage. Productions played nightly and were usually staged from early July until mid-August. Productions staged in the first summer at Torches included Dark of the Moon, Under Milkwood, and Our Town.

Torches was a semi-professional theatre; a 1967 press release states that: "each acting fellow will be paid $75.00 per week for the performance period and $50.00 per week for the rehearsal periods." This press release advertises pay rates for positions in acting, production and box office. By 1967, the Torches productions were touring the province, performing in a number of communities in Alberta prior to their regular summer season.

The Torches records consist of eighteen production books dating from 1962 to 1969. They provide valuable information about the Torches summer productions, and are listed below.

The files are arranged chronologically by date of production.

University of Alberta Studio Theatre

Production files

Series consists of records documenting the technical, operative, and administrative activities of Studio Theatre productions. Records include programs, news clippings, and promotion material. The more recent files contain more records including background production research notes, financial records, and correspondence. A production file was maintained for each production. Title based on content of the files. photographs and oversize items were removed from the files and stored separately; news clippings were photocopied on to acid neutral paper and the original clippings removed. The files are maintained in chronological order by date of production.

University of Alberta Studio Theatre

Production Books

Production books, while closely related to the production files described in Series II, are maintained as a separate series. The production book at Studio Theatre was created for most productions and becomes a sort of 'scrapbook' of each show produced. While the books vary from one individual production to the next, they share common elements. The books are bound, and contain a wealth of information about a particular production. Included is the director's or prompt script, with detailed annotation outlining movement blocking, properties used, director's notes, etc. Early production books were often prepared in partial fulfillment of drama course requirements and include director's critiques of all elements of the show. The books usually include reports from the various crews: set construction, costumes, sound, light and properties. There are rehearsal schedules, cast-lists, publicity notices and reviews, as well as photographs, programs, telegrams, etc. Background is often provided on the play chosen, the playwright, and on other performances of the play. In the file list that follows, a description of the contents of individual production books is provided. The files are maintained in chronological order by date of production.

The series title is based on the content of the records.

Design Records

The items in this series provide a sample of the set designs and plans and costume designs created for Studio Theatre productions. Only a small proportion of the Studio Theatre productions are represented in this series, although the representation is increased if the production books plans and designs are considered.
The items are arranged as:

  1. Costume designs
  2. Set designs
  3. Set plans
    The order is chronological by production date. The costume designs are hand drawn and coloured and usually identified by the name of the character. Set designs, like costume designs, are hand drawn and coloured. The set plans include details on set elevations, prop placement, and stage dimenions. Designs are fragile and composed on low grade paper. Many are over sized and stored seperately.

University of Alberta Studio Theatre

Administrative Records

Series consists of five correspondence files addressing a variety of administrative concerns. Much of the correspondence is written to or from Gordon Peacock, in his capacity as Associate Professor of Drama. The series also includes annual reports and interdepartmental memorandums. Correspondents also include significant theatre personalities including H.G. Glyde and Betty Mitchell. The series title is based on the content of the records.

University of Alberta Studio Theatre

Dark of the Moon - Graphic Material

The sub-sub-serires consists of photographs, posters, set designs and other graphic material created in the production and recording of the University of Alberta Studio Theatre production of Dark of the Moon.

University of Alberta Studio Theatre

Whisky Six

Sub-series consists of production and promotion records for Studio Theatre's performance of Whiskey Six.

University of Alberta Studio Theatre

Graphic Material

Sub-sub-series consists of photographs and a poster created to promote and record the performance of Studio Theatre's production of The Madwoman of Chaillot.

University of Alberta Studio Theatre

Textual Material

Sub-sub-series consists of programs, press announcements, reviews for the production of the play.

University of Alberta Studio Theatre

Twelfth Night

Sub-series consists of production and promotion records for Studio Theatre's performance of Twelfth Night

University of Alberta Studio Theatre

Waiting for Godot

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot.

University of Alberta Studio Theatre

What the Butler Saw

Sub-series consists of production and promotion records for Studio Theatre's performance of What the Butler Saw.

University of Alberta Studio Theatre

When You Comin' Back, Red Ryder?

Sub-series consists of production and promotion records for Studio Theatre's performance of When You Comin' Back, Red Ryder?

University of Alberta Studio Theatre

Translations

  • Fonds 426-2-173
  • Subseries
  • October 31-November 16, 1985
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Translations.

University of Alberta Studio Theatre

Uncle Vanya

  • Fonds 426-2-128
  • Subseries
  • October 20-29, 1977
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Uncle Vanya

University of Alberta Studio Theatre

Under Milkwood

  • Fonds 426-2-48
  • Subseries
  • March 24-April 2, 1960
  • Part of Studio Theatre

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of Under Milkwood.

University of Alberta Studio Theatre

Twelfth Night, or What You Will

Sub-series consists of production and promotion records for Studio Theatre's performance of Saturday, Sunday, Monday.

University of Alberta Studio Theatre

Waiting for Godot

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot

University of Alberta Studio Theatre

Time Remembered

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of Time Remembered.

University of Alberta Studio Theatre

The Visit

  • Fonds 426-2-57
  • Subseries
  • February 22-March 3, 1962
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Visit. Also includes one program from the 1963 Yale production of the play.

University of Alberta Studio Theatre

The White Geese

Sub-series consists of production and promotion records for Studio Theatre's performance of The White Geese

University of Alberta Studio Theatre

Tom Jones Slept Here

  • Fonds 426-2-122
  • Subseries
  • March 25-April 3, 1976
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Games of Tom Jones Slept Here.

University of Alberta Studio Theatre

Tonight at 8:30

Sub-series consists of production and promotion records for Studio Theatre's performance of Tonight at 8:30

University of Alberta Studio Theatre

The Unknown Soldier and His Wife

Sub-series consists of production and promotion records for Studio Theatre's performance of The Unknown Soldier and his Wife.

University of Alberta Studio Theatre

The Wild Duck

  • Fonds 426-2-136
  • Subseries
  • March 29-April 7, 1979
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Wild Duck

University of Alberta Studio Theatre

Thieves' Carnival

Sub-series consists of production and promotion records for Studio Theatre's performance of Thieves' Carnival.

University of Alberta Studio Theatre

Time of the Lilacs

Sub-series consists of production and promotion records for Studio Theatre's performance of Time of the Lilacs.

University of Alberta Studio Theatre

The Skin of Our Teeth

Sub-series consists of production and promotion records for Studio Theatre's performance of The Skin of Our Teeth.

University of Alberta Studio Theatre

The Suicide

Sub-series consists of production and promotion records for Studio Theatre's performance of The Suicide.

University of Alberta Studio Theatre

The Tender Trap

Sub-series consists of production and promotion records for Studio Theatre's performance of The Tender Trap

University of Alberta Studio Theatre

The Ticket of Leave Man

Sub-series consists of production and promotion records for Studio Theatre's performance of The Ticket of Leave Man

University of Alberta Studio Theatre

The Tempest

  • Fonds 426-2-161
  • Subseries
  • May 30-June 4, 1983
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Tempest.

University of Alberta Studio Theatre

The Threepenny Opera

Sub-series consists of production and promotion records for Studio Theatre's performance of The Threepenny Opera.

University of Alberta Studio Theatre

The Shipbuilder

Sub-series consists of production and promotion records for Studio Theatre's performance of The Shipbuilder.

University of Alberta Studio Theatre

The Three Sisters

Sub-series consists of production and promotion records for Studio Theatre's performance of The Three Sisters.

University of Alberta Studio Theatre

The Trojan Women

Sub-series consists of production and promotion records for Studio Theatre's performance of The Trojan Women.

University of Alberta Studio Theatre

The Merchant of Venice

Sub-series consists of production and promotion records for Studio Theatre's performance of The Merchant of Venice.

University of Alberta Studio Theatre

The Medium and the Telephone

Sub-series consists of production and promotion records for Studio Theatre's performance of The Medium and the Telephone.

University of Alberta Studio Theatre

The Murder of August Dupin

Sub-series consists of production and promotion records for Studio Theatre's performance of The Murder of August Dupin.

University of Alberta Studio Theatre

The Miser

Sub-series consists of production and promotion records for Studio Theatre's performance of Waiting for Godot

University of Alberta Studio Theatre

The Rimers of Eldritch

  • Fonds 426-2-126
  • Subseries
  • March 29-April 6, 1977
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Rimers of Eldritch.

University of Alberta Studio Theatre

The Rivals

Sub-series consists of production and promotion records for Studio Theatre's performance of The Rivals.

University of Alberta Studio Theatre

The Seagull

Sub-series consists of production and promotion records for Studio Theatre's performance of The Seagull.

University of Alberta Studio Theatre

The Persecution and Assasination of Jean-Paul Marat as Performed by the Inmates of the Assylum of Charenton Under the Direction of the Marquis de Sade

Sub-series consists of production and promotion records for Studio Theatre's performance of The Persecution and Assasination of Jean-Paul Marat as Performed by the Inmates of the Assylum of Charenton Under the Direction of the Marquis de Sade.

University of Alberta Studio Theatre

The Plough and the Stars

Sub-series consists of production and promotion records for Studio Theatre's performance of The Plough and the Stars

University of Alberta Studio Theatre

The Male Animal

Sub-series consists of records documenting the production of the University of Alberta Studio Theatre's production of The Male Animal.

University of Alberta Studio Theatre

The Lesson

Sub-series consists of one program for Studio Theatre's performance of The Lesson.

University of Alberta Studio Theatre

The Lark

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Lark.

University of Alberta Studio Theatre

Cockcrow and the Gulls - Textual material

  • Fonds 426-2-52-1
  • Sub sub series
  • March 29-April 7, 1962
  • Part of Studio Theatre

Sub-sub series consists of prompt script, rehearsal schedule, program, property list, reviews and publicity clippings.

University of Alberta Studio Theatre

The Little Foxes

Sub-series consists of production and promotion records for Studio Theatre's performance of The Little Foxes.

University of Alberta Studio Theatre

The Lonely Road

  • Fonds 426-2-127
  • Subseries
  • April 29-May 7, 1977
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Lonely Road

University of Alberta Studio Theatre

The Marionette Theatre of Peter Arnott

Sub-series consists of records created in the production and promotion of the special event titled, The Marionette Theatre of Peter Arnott.

University of Alberta Studio Theatre

The Matchmaker

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Matchmaker.

University of Alberta Studio Theatre

The Hostage

  • Fonds 426-2-146
  • Subseries
  • November 27-December 6, 1980
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Hostage.

University of Alberta Studio Theatre

The Inspector General

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Inspector General.

University of Alberta Studio Theatre

The Firebugs

Sub-series consists of production and promotion records for Studio Theatre's performance of The Firebugs.

University of Alberta Studio Theatre

The Games of Love and Chance

Sub-series consists of production and promotion records for Studio Theatre's performance of The Games of Love and Chance.

University of Alberta Studio Theatre

The Firebugs

Sub-series consists of production and promotion records for Studio Theatre's performance of The Firebugs.

University of Alberta Studio Theatre

The Good Doctor

  • Fonds 426-2-162
  • Subseries
  • October 20-29, 1983
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Good Doctor.

University of Alberta Studio Theatre

The Injured

Sub-series consists of production and promotion records for Studio Theatre's performance of The Injured.

University of Alberta Studio Theatre

The Ecstacy of Rita Joe

Sub-series consists of production and promotion records for Studio Theatre's performance of The Ecstacy of Rita Joe

University of Alberta Studio Theatre

The Bard's Birthday

Sub-series consists of production and promotion records for Studio Theatre's performance of The Bard's Birthday.

University of Alberta Studio Theatre

The Deer and the Antelope Play

Sub-series consists of production and promotion records for Studio Theatre's performance of The Deer and the Antelope Play.

University of Alberta Studio Theatre

The Balcony

  • Fonds 426-2-101
  • Subseries
  • October 26-November 4, 1972
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Balcony.

University of Alberta Studio Theatre

The Birthday Party

Sub-series consists of production and promotion records for Studio Theatre's performance of The Birthday Party.

University of Alberta Studio Theatre

The Curve (Die Kurve) - Dorst (Special)

  • Fonds 426-2-64
  • Subseries
  • November 29-30, 1963
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Curve (Die Kurve)

University of Alberta Studio Theatre

The Browning Version

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Browning Version.

University of Alberta Studio Theatre

The Cave Dewllers

  • Fonds 426-2-119
  • Subseries
  • October 23-November 1, 1975
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Cave Dwellers.

University of Alberta Studio Theatre

The Cherry Orchard

  • Fonds 426-2-90
  • Subseries
  • March 27-April 14, 1970
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of The Cherry Orchard

University of Alberta Studio Theatre

The Country Wife

Sub-series consists of production and promotion records for Studio Theatre's performance of The Country Wife.

University of Alberta Studio Theatre

The County Girl

  • Fonds 426-2-34
  • Subseries
  • November 21-December 1 1956
  • Part of Studio Theatre

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Country Girl.

University of Alberta Studio Theatre

Songs For Believers

Sub-series consists of production and promotion records for Studio Theatre's performance of Songs For Believers.

University of Alberta Studio Theatre

Sticks and Stones

  • Fonds 426-2-113
  • Subseries
  • October 24-November 2, 1974
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Sticks and Stones.

University of Alberta Studio Theatre

Tartuffe

Sub-series consists of production and promotion records for Studio Theatre's performance of Tartuffe.

University of Alberta Studio Theatre

She Stoops to Conquer

Sub-series consists of production and promotion records for Studio Theatre's performance of She Stoops to Conquer.

University of Alberta Studio Theatre

Ten Lost Years

  • Fonds 426-2-181
  • Subseries
  • March 26-April 4, 1987
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Ten Lost Years.

University of Alberta Studio Theatre

The Adding Machine

  • Fonds 426-2-50
  • Subseries
  • November 24-December 3, 1960
  • Part of Studio Theatre

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Adding Machine.

University of Alberta Studio Theatre

Six Characters in Search of an Author

  • Fonds 426-2-77
  • Subseries
  • February 21-25, 1967
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Six Characters in Search of an Author

University of Alberta Studio Theatre

Taming of the Shrew

  • Fonds 426-2-164
  • Subseries
  • March 29-April 7, 1984
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Taming of the Shrew.

University of Alberta Studio Theatre

The Antigone

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of The Antingone.

University of Alberta Studio Theatre

Quilters

Sub-series consists of production and promotion records for Studio Theatre's performance of Quilters.

University of Alberta Studio Theatre

Red Eye of Love

  • Fonds 426-2-69
  • Subseries
  • February 23-27, 1965
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Red Eye of Love.

University of Alberta Studio Theatre

Richard III

  • Fonds 426-2-123
  • Subseries
  • October 28-November 6, 1976
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Richard III.

University of Alberta Studio Theatre

Running of the Deer

Sub-series consists of production and promotion records for Studio Theatre's performance of Running of the Deer.

University of Alberta Studio Theatre

Saturday, Sunday, Monday

  • Fonds 426-2-156
  • Subseries
  • October 21-30, 1982
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Saturday, Sunday, Monday

University of Alberta Studio Theatre

Scenes From American Life

  • Fonds 426-2-124
  • Subseries
  • December 9-18, 1976
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Scenes From American Life.

University of Alberta Studio Theatre

Scenes From American Life

Sub-series consists of production and promotion records for Studio Theatre's performance of Scenes From American LIfe.

University of Alberta Studio Theatre

Sganarelle

Sub-series consists of records created in the production and promotion of Studio Theatre's performance of Sganarelle. This production is a special event to celebrate Studio Theatre's 10th Season.

University of Alberta Studio Theatre

Power in the Blood

  • Fonds 426-2-118
  • Subseries
  • September 23-28, 1975
  • Part of Studio Theatre

Sub-series consists of production and promotion records for Studio Theatre's performance of Power in the Blood.

University of Alberta Studio Theatre

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