Showing 647 results

Fonds consists of office files, correspondences, publications, minutes, and administrative documents related to the Alberta Institute of Agrologists (AIA).

Fonds consists of records related to J. W. Sinclair, including photographs from northern Canada.

Audio recordings of oral histories from the Faculty Women's Club about Women in Sports and women's experiences in campus life in the early years of the University of Alberta. 33 tapes have been digitized.

The fonds consists of two leather bound photo albums. The photos were taken during Cameron's research field trips into northern Alberta, Saskatchewan and British Columbia. Cameron usually performed the trips for the Department of Mining Engineering with senior students. The first album, titled University of Alberta, 1915 -1938, was created for the Department of Mining Engineering. The second album, Field Trips, for Research Council of Alberta, were taken in 1921 and 1930. The photos remain in the arrangement Cameron created and the captions inform the descriptions for each photo.

Fonds consists of records related to Donald B. Smith and his publications.

Fonds consists of records created or collected by Richard A. Logan.

Fonds consists of records pertaining to the Association of Academic Staff of the University of Alberta.

The Lewis H. Thomas fonds span a period of over forty years, and provide a valuable record of the research, teaching, and life experiences of a significant scholar and long-serving member of the University of Alberta's faculty. In his career as an archivist; professor; and researcher and writer of scholarly history, Dr. Thomas' papers encompass a wide range of topics related to the historical development of Western Canada. The source material and research files in this fonds include a wealth of archival documents, bibliographies, imprint items, and research notes on subjects related to the exploration, settlement, and growth of Western Canada, particularly the Prairie region. Dr. Thomas published extensively in this area, and his research files and lecture note material provide insight into the many subjects he lectured and wrote about. They provide insight also into the research methodologies and strategies that he applied in his own work. There is information related to his teaching career at both the Universities of Saskatchewan (Regina) and Alberta, and documents related to the Department of History at the University of Alberta, and Professor Thomas' position as chairman of this department. Among his papers are files of professional correspondence that contain letters written to colleagues, including many well-known Canadian historians, across the country. There is correspondence with graduate students whose work Dr. Thomas supervised, and letters of recommendation prepared by Thomas for these same students as they applied for grants or employment opportunities. Shortly before he died, L.H. Thomas wrote to a young writer that "the aspect of my work which has given me the greatest satisfaction is teaching, and associations with students." (See Accession #87-130-4) He supervised the work of six doctoral students, several masters' students, and sat as a member of many thesis supervising committees. As the long-serving Alberta representative on the National Historic Sites and Monuments Board, L.H. Thomas' papers contain a great deal of information about the workings of the board with particular reference to the naming of historic sites in Alberta and Northern Canada. L.H. Thomas' varied committee experience and affiliation with other national organizations and associations is well documented in the papers. As well, L.H. Thomas' experience as an archivist, and his life-long interest in promoting and encouraging the use of archival documents in historical research, is a subject touched upon frequently in his papers. He corresponds with archivists, writes about archival practice, and fills his source material files with items gleaned from archival holdings. Finally, researchers interested in the topic of Canadian socialism may find these records relevant. L.H. Thomas was himself a life-long supporter of socialist doctrine, and published articles on the CCF and Socialist movements. His last major work before his death was a transcription of a series of taped interviews with Tommy Douglas, and records related to this subject are included in the papers. The records are in excellent physical condition and have been arranged into four series: Early Records; University of Alberta Records; Research and Publication Records; and Associations, Committees and Boards Records. Within these broad series designations are sub-series that further organize the records. Where possible, the file titles provided by L.H. Thomas are retained. A brief description of each series is provided, followed by a detailed file listing. A subject and name index is found at the end of the inventory to assist in locating specific files.

File consists of records relating to the career of Dr. W. Stanley Hartroft.

Hugh M. Raup's records relating to Arctic and northern research; included are field notes, aerial photographs, maps, drafts and manuscripts of published papers, plant lists, and photographs of research sites and surrounding areas.

Accession consists of records related to the operations of the Medical Alumni Association at the University of Alberta.

Fonds consists of records pertaining to the Office of the Provost and Vice-President (Academic) at the University of Alberta.

The University of Alberta Mixed Chorus fonds housed in the University Archives span a period of more than forty years, and provide a valuable record of a long-standing University organization (approaching its 60th anniversary of operation). The Mixed Chorus was, and remains, an active contributor to University society, as well as the broader surrounding community because of its annual province-wide concerts and related public appearances. The Chorus is significant to the history of the development of choral music in Alberta, and its individual members and directors contributors in their own right to the province's musical growth.

The records have been arranged and described in two broad series and several sub-headings, with a basic chronological order maintained within each series. The textual files provide information about the early years of the Chorus' existence, particularly the years from 1946 to about 1971. Files maintained by the executive and directors (Richard Eaton and James Whittle) are significant for the information they provide about the Chorus' yearly operations and activities. Information in the files after the Whittle years is sketchier, and more incidental in nature. The textual files include correspondence, clippings, some meeting minutes, membership lists, the organization's constitution, and evidence of the planning and fundraising required to orchestrate the annual UAMC Spring Tour.

Series 1 consists of the Executive/Director files with sub-series providing information about membership; social activities, commemorative/historical records, and publicity and promotion files. Correspondence to and from members of the executive was filed together (in the form of scrapbooks in the 1940's), with correspondence maintained by the Chorus director. Where possible, the original order of the files was maintained, while the series and sub-series titles were assigned by the archivist to reflect the record function.

Series 2 is the Performance-related records, comprised of printed programs, sound recordings, and photographs. As noted earlier, the sound recordings form the largest component of the Mixed Chorus fonds. They include both taped recordings (cassette and reel-to-reel) as well as disc recordings. The photographs, numbering over 1200 in quantity, include prints, negatives, and a few transparencies and contact sheets. While the photographs do vary in quality, they provide important documentation of Mixed Chorus performances, social activities, and tours. There are excellent images of the Chorus's 40th anniversary activities taken by Hal Kinsey, as well as the annual formal photographs of the Mixed Chorus. Various alumni have sent copies of their personal photographs to the Mixed Chorus executive, adding to the views of the annual Spring tours, and various Chorus social events.

The records do not extend beyond the 1980's, but future accessions from the University of Alberta Mixed Chorus are anticipated. The Mixed Chorus records provide a profile of an aspect of the non-academic life of the University of Alberta student community, as well as make a valuable contribution to musical/performing arts history documentation for both the University of Alberta, and the Province of Alberta.

The Romanet papers consist of correspondence, notebooks and reports on the fur trade, and the manuscripts of Kabluk of the Eskimo including several revisions. When the collection was received by the Archives in 1972, only a small part was preserved in Louis Romanets own meticulous arrangement. Care has been taken to maintain these files in their original order; but it was necessary to sort and arrange the bulk of the collection to define Romanet's career. One of the journals he composed during his first winter in Canada exists only as a carbon copy on tissue sheets. It is so fragile that a transcription has been made for the use of researchers. The 860 photographs in the collection depict the Hudson's Bay Company's employees, trading posts, and stern-wheel steamships; the native population of Northern Canada including the Arctic Islands; and the Romanet family. Almost 100 of the photographs were collected from Government and Hudsons Bay Company sources to illustrate Kabluk of the Eskimo, although only sixteen were used in the published version. A descriptive inventory was prepared in 1975. This inventory was revised and reprinted in 1997, however, the physical arrangement of the fonds was not altered.

Fonds consists of records pertaining to the Department of Chemical and Petroleum Engineering at the University of Alberta, formerly the Department of Chemical Engineering.

Fonds consists of memorabilia related to Ailsa H. Walker's time as a student at the University of Alberta.

Fonds consists of records pertaining to the Department of Arts and Design at the University of Alberta.

Fonds consists of records of the operations and history of the Office of the Vice-President (Student and Academic Services),

The Wilfred Watson fonds span a period of over fifty years, and provide a wonderful record of the creative processes of a noted Canadian poet, playwright, teacher and literary theorist. Wilfred Watson was a writer brimming with ideas and his papers provide evidence of his creative endeavors; his numerous notebooks are filled with drafts of plays and poems, ideas for further development, excerpts from his own reading and study, sketches, and jottings about his daily activities. In addition to his notebooks, there are files of his writing drafts (encompassing the many genre he wrote in), very complete correspondence files, drawing files and sketchbooks, and supplemental material including sound recordings and photographs. The records arrived at the University of Alberta Archives in three separate deposits (the last deposit of records made after Wilfred Watson's death), with excellent listings and descriptions attached. The archivist brought the records in each of the three deposits together physically and intellectually, while retaining many of the original groupings adhered to in the first listings. The notebooks, for example, were kept chronologically by Wilfred Watson, so the notebooks from all three deposits have been pulled together and arranged in their original date order. Likewise, the correspondence in each deposit was arranged alphabetically by correspondent and in the comprehensive finding aid, all of the correspondence is together and arranged in alphabetical order. The series designations include the following eight series, and were arrived at by considering the contents of the records. Watson's notebooks are of particular research value as they provide so much information about Wilfred Watson's creative thought processes, as well as information about his teaching plans, readings, Department of English activities, and even a daily weather observation from his study window. The notebooks also held loose sheets of paper, and these have been removed for conservation purposes and placed in a separate file following the notebook they were retrieved from. The series of literary drafts and writing files is also very significant; often several different versions of a particular poem or even an entire play are present in the files. The writing files take on added significance since they provide evidence of, as Wilfred Watson was once described, "a prolific poet who publishes little." As Diane Bessai noted, Watson's plays, while given lively reviews in the daily press at the times of their first performances, "have not been widely produced since". His writing, particularly his later writing, was often considered controversial and experimetnal, and was not readily published or produced, so it is important that his work is preserved in his own archive. The correspondence files, particularly the letters between Wilfred Watson and Sheila Watson, provide another fascinating glimpse into these writers' minds. The Watsons, due to work and schooling circumstances, lived apart off and on over the years and their letters became their main link. Their letters, written regularly to one another, usually go beyond the ordinary to explore mutual ideas about writing, writers, literature, and projects they are working on in their own studies. A detailed series and file list follows, with further information provided about each of the eight series in the Wilfred Watson fonds. A subject/name index is included at the end of the inventory to assist in locating specific files.

Fonds consists of records created or collected by John Unrau in his career at the University of Alberta.

The records in the Studio Theatre fonds span a period of more than forty years. They offer record of a long-standing and innovative working theatre deeply involved in the Edmonton arts community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The Studio Theatre fonds span a period of more than forty years, and provide a valuable record of a long-standing and innovative working theatre in the Edmonton community, as well as documenting an important component of the University of Alberta's drama department program. Studio Theatre has contributed immensely to the development of theatre in Alberta and Canada, as witnessed by the number of talented individuals working in theatre across the country who have participated and gained experience on the Studio Theatre stage.

The records have been arranged and described in six series, with a basic chronological order maintained within each series. There is information about almost every play produced on the Studio Theatre stage between 1949 and 1991. Information tends to be fairly skimpy for the earlier productions; a production file might only contain a program and review clipping. As the years progress, more and more information is included with the production file. Reports from technical crew heads, front of house reports, financial records and publicity clippings are routinely kept. The production books, described in Series III, often provide the most detailed and varied information about a production. These books are production scrapbooks, and include programs, reports, clippings, telegrams, related correspondence, photographs, set plans, cast lists, and much more. Almost all of the production books have a copy of the script, used by the director as a prompt script and annotated with movement blocking, directions, and notes. In some production books, the director has included a written commentary critiquing various aspects of the production; theme may also be discussed, and background research notes about the play and playwright included.

With over 4000 photographic images (prints, negatives, and contacts) represented in the fonds, it is possible to get a 'visual' sense of the productions. Many productions are represented by both 'official' and 'candid' shots, and there are views of actors, sets, and costumes. The photographs vary in quality of picture as well as physical condition of print. Also documented in the Studio Theatre records are production posters, costume designs and set plans. Again, a researcher may have to consult the production book (Series III) as well as the specific media listing (Series IV) to see all available documents in these areas.

Not represented very extensively in these records is administrative documentation; a researcher interested in Studio Theatre administration should consult the general drama department records. The administrative records that are available in this fond consist of the correspondence files described in Series I. Torches Theatre records are also fairly sketchy, consisting of production books for the years 1962-1969.

The Studio Theatre records are a valuable contribution to theatre history documentation at the University of Alberta, and the City of Edmonton. They provide a glimpse of the people involved in drama during a formative time for theatre development in Edmonton. Social history is revealed through the plays chosen for production at Studio Theatre, mirroring the issues and trends in the wider society. Classical and contemporary plays, some experimental and others quite traditional, are all a part of Studio Theatre's production legacy.

The records have been arranged and described as six series, and a detailed series and file list follows. A brief description is provided of each series, followed by the file listing. A production index is found at the end of the inventory to assist in locating specific files.

Because the Studio Theatre records were received at the Archives as several deposits over a period of years, there was a need to bring the records together intellectually to better aid researchers looking for as complete a picture as possible. A basic chronological arrangement was maintained, with series arrangements assigned by the archivist to reflect function and format of the records.

The records are in good physical shape. The bound production books tend to be somewhat fragile and archivally compromised because of their 'scrapbook' quality. The paper in the books is very acidic, and items have often been attached with glue and scotch tape. Newspaper clippings are taped beside photographs, and oversize plans folded to fit the books. The binding of the production books is good, however, and no attempt was made to remove affixed items from the books. The pages with attached photographs were interleaved with acid-free tissue paper. In the production show files, newspaper clippings were photocopied and originals removed, and photographs were separated from the textual file for separate storage and description. The photographs vary in quality, and physical shape and it is obvious that they were handled a lot in the course of choosing publicity shots, etc. Contact prints and 35mm negatives are available for many of the productions. Where possible, oversize items have been flattened and stored separately.

The fonds consists of records related to Leilani Muir and her case Muir v. Alberta. See inventories associated with each accession for file lists.

The Peter Meekison fonds document the professional career of an important teacher, researcher, and administrator who had a distinguished career with both the University of Alberta and the Provincial Government of Alberta for a period spanning nearly thirty years. His records contain material relating to both his teaching and administrative career at the University of Alberta, his work related to constitutional affairs for the Province of Alberta, and his role as a Commissioner on the Royal Commission on Aboriginal Peoples. The records, largely textual, have been arranged according to four fairly broad series. The first series contains records related to Professor Meekison’s academic pursuits, and include some of his student notes while in the Ph.D program at Duke University and his teaching and administrative files from the University of Alberta. Included with the UofA files are teaching and research files, Vice-President (Academic) administrative files, and files related to special projects, programs, and committees Dr. Meekison was committed to while at the University. The second series contains material related more generally to Peter Meekison’s professional career, which is relevant to both his research interests at the University, and his work with the Provincial Government. There are correspondence files, sorted into the Department of Federal and Intergovernmental Affairs chronological files, general correspondence files, and ‘people’ correspondence files. As well, this series contains records related to Meekison’s involvement with various professional associations and committees, his speaking engagements and attendance at conferences and workshops, and his writing and publication activities. Subject reference files maintained by Professor Meekison are included in this series, as well as his personal appointment books. Series three consists of Peter Meekison’s Constitutional material and is arranged according to an original color-coded file scheme applied when the files were current. The color-coded files include reports, briefing books, transcripts, and issues files related to various First Minister meetings, and committee meetings surrounding the constitutional reform discussions. Many of these files were created while Peter Meekison was Minister of Alberta Federal and Inter-Governmental Affairs and relate to the amending of the Constitution Act in 1982. A set of coded files is included in this series which addresses non-Constitutional issues his Ministry was dealing with. In his capacity as constitutional adviser to the provincial government post 1984, there is material related to the Senate Reform Task Force meetings, and the constitutional committee work leading to the Meech Lake Accord discussions and the 1992 Charlottetown Accord. Included in this series are numerous constitutional background material files which provide further insight into the constitutional process and debate. The final series consists of very complete records retained by Peter Meekison in his capacity as a Commissioner on the Royal Commission on Aboriginal Peoples (RCAP). The Commission was struck in 1992, and Meekison appointed to it in 1993. Included in the records are meeting minutes and documents, Intervener Participatory Program (IPP) submissions to the Commission, reports prepared for and by the Commission; policy team records, and background and reference files. The records are in excellent physical shape and because of their completeness and the broad span of years represented, provide valuable insight into issues facing Alberta and Canada in the 1980’s and 1990’s, as well as documenting University activities during this period and earlier.

The J. Peter Meekison fonds consists of records related to Professor Meekison's academic pursuits and his career at the University of Albera; his professional activities encompassing his research and writing files; constitutional material including Senate Reform Task Force records and Meech Lake Accord; and records of the Royal Commission on Aboriginal Peoples.

Fonds consists of interviews and transcriptions of interviews with Coast Salish peoples living in communities located predominantly in contemporary Washington State. Also includes photographs of communities.

The Dr. Brian Llewellyn Evan fonds is a very rich and diverse acquisition of materials depicting the life and primarily teaching and research career of Brian Evans. The fonds comprises a broad scope of records comprising mainly of textual materials reflective of his teaching, research travel and role as a professor of history, University administrative functions in various roles and his involvement with the Chinese Community in Alberta.

The Dr. Chuji Hiruki fonds is a very rich and diverse acquisition of materials depicting the life and primarily teaching and research career of Chuji Hiruki. The fonds comprises a broad scope of records comprising mainly of textual materials reflective of his teaching, research travel and role as a professor of plant pathology during his tenure with the University of Alberta.

Consists of records pertaining to Torches Theatre including production books.

Fonds consists of records from the Department of Pediatrics at the University of Alberta.

Fonds consists of records pertaining to the operations of the Faculty of Rehabilitation Medicine at the University of Alberta, formerly known as the School of Physical and Occupational Therapy and the School of Rehabilitation Medicine.

Fonds consists of records pertaining to the Department of Physiology at the University of Alberta.

Fonds consists of records related to the operations and history of the University Bookstore at the University of Alberta.

Fonds consists of records created or collected by Morris Flewwelling, related to student activities at the University of Alberta.

Fonds consists of records pertaining to the Department of Sociology in the Faculty of Arts at the University of Alberta.

Fonds consists of records from the Population Research Laboratory in the Sociology Department at the University of Alberta.

Fonds consists of records related to publications of Leslie C. Green.

Fonds consists of records pertaining to the Department of Linguistics at the University of Alberta.

Fonds consists of records pertaining to the Alberta Teacher's Association and the Alberta Fitness Leadership Certification Association.

Fonds consists of records related to the operations and history of the Office of the Vice-President (Finance and Administration). The fonds also contains records from the period when the office's name was changed to Vice-President (Administration) and was responsible for the Associate Vice-President (Facilities).

Fonds consists of records related to the operations of the Office of Administrative Systems, formerly the Office of Administrative Data Processing, at the University of Alberta. The fonds also includes records from the University Computing Centre.

Fonds consists of records pertaining to the Department of Clothing and Textiles at the University of Alberta.

Fonds consists of records related to Alexander Matejko's time as a professor of Sociology at the University of Alberta.

Fonds consists of records related to the operations of the University of Alberta Development Office, formerly known as the Fund Development Office.

Fonds consists of records pertaining to the School of Library and Information Studies at the University of Alberta.

Fonds consists of records related to the history and operations of University Computing Systems at the University of Alberta.

Accession consists of records from the Department of Slavic and East European Studies, including personnel files and other records.

Fonds consists of the annual reports and other materials of the Institute of Law Research and Reform.

Fonds consists of records related to the history and operations of the Department of Microbiology at the University of Alberta.

The fonds consists of the annual reports of the Manitoba Legislative Library and Archives.

Fonds consists of records from the University Secretariat at the University of Alberta.

Fonds consists of records related to the Department of Computing Services at the University of Alberta.

Fonds consists of records related to Hazel McIntyre's time at the University of Alberta.

The fond consists of records related to the activities of the Vice-President (External Relations) at the University of Alberta.

Fonds consists of testing materials, office files, and other records from the Provincial Fitness Unit of Alberta, the Alberta Fitness Leadership Certification Association, and the Fitness Unit of the Faculty of Physical Education and Recreation.

Fonds consists of textual material related to Dr. Luce Gauthier's career in theoretical physics.

Fonds consists of published materials, "African Studies Bulletin" from the department.

The C.S. Burgess fonds documents Burgess's administrative and professional activities from 1891 through 1971; he removed most remaining personal records before donating material to the Unviersity Archives. The records reflect Burgess's progess as a designer and the evolution of his design interests from his architectural articling and design studies in Scotland, England and his European study tours, to his professional consultation work and teaching in Canada beginning in Montréal and concluding with his tenure as a professor of architecture at the University of Alberta in Edmonton. A small portion of the records document Burgess's work as a private consultant for public and private groups across Alberta. The records include lecture and public speaking notes on art, history and design; professional correspondence; design portfolios in various media from both his student and professional periods; photographs predominantly of his professional work with some of private acquaintances; a collection of postcards, maps and other art and design related ephemera.

The C.S. Burgess fonds documents Burgess's administrative and professional activities from 1891 through 1971; he removed most remaining personal records before donating material to the Unviersity Archives. The records reflect Burgess's progess as a designer and the evolution of his design interests from his architectural articling and design studies in Scotland, England and his European study tours, to his professional consultation work and teaching in Canada beginning in Montréal and concluding with his tenure as a professor of architecture at the University of Alberta in Edmonton. A small portion of the records document Burgess's work as a private consultant for public and private groups across Alberta. The records include lecture and public speaking notes on art, history and design; professional correspondence; design portfolios in various media from both his student and professional periods; photographs predominantly of his professional work with some of private acquaintances; a collection of postcards, maps and other art and design related ephemera.

The fonds consists of clippings, press releases, correspondence, photos, slides cassettes and prompt scripts documenting Theatre 3's administrative and operating activities. The fonds is in roughly chronological order according to accumulation.

Fonds consists of records related to the operations and history of the Office of the Associate Vice-President (Academic).

Fonds consists of the records of Christopher Xerxes Ringrose, including his book of poetry, "Western Reunion."

Fonds consists of records created or collected by N. Fred Bell, related to Bell family history and genealogy.

Fonds consists of records related to the research and operations of the Tri-University Meson Facility (TRIUMF).

Fonds consists of a guide to the J. N. Wallace Collection.

Fonds includes records pertaining to the Chinese Students' Association at the University of Alberta including issues of The Midway.

The archives consist of records and publications of the ESFCAS, including correspondence, financial documentation, artwork, advertisements, and other ephemera. While predominately textual, the archives contain 10 photographs and several audio cassette recordings of interviews with science fiction writers and of science fiction events. A few textual items are in Russian.

Fonds consists of records collected and created by UAA archives assistant Keith Stotyn, including guides to other collections.

Fonds consists of records from the City of Edmonton Archives, including collection guides.