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Earlier poems, continued:-typescript of "To the Haleys, who sent dahlias"-typescript of "Hate me forever"-typescript of "The Hawk"-three typescript drafts with manuscript emendations "Of Hendrickje as Bathsheba"-typescript "I work at the work of the nightingale"-two typescript drafts of "The interruption"-four drafts (typescript and manuscript) of "invocation" ("Earth mother)-four typescript drafts of "The knot"-five typescript drafts of "Knowing how bright at first man's blossom is" (Prologue for "The Double Hook")-typescript "Let no other friend know me"-copy of Canadian Forum publication of "Lines for the Twenty-fifth Anniversary of the Declaration of War, August 4, 1914" (1939)-typescript "Lines written in 1945"-six typescript drafts of "The Lions" (There are blue magpies")-two manuscript drafts of "A lullaby for Falstaff"-typescript "The magical body"-typescript "Poem for Marnie"-typescript of "A masque for Jack Shadbolt", dedicated in manuscript to Jack and Doris Shadbolt and with manuscript notes-types
Earlier poems, continued:-typescript of "To the Haleys, who sent dahlias"-typescript of "Hate me forever"-typescript of "The Hawk"-three typescript drafts with manuscript emendations "Of Hendrickje as Bathsheba"-typescript "I work at the work of the nightingale"-two typescript drafts of "The interruption"-four drafts (typescript and manuscript) of "invocation" ("Earth mother)-four typescript drafts of "The knot"-five typescript drafts of "Knowing how bright at first man's blossom is" (Prologue for "The Double Hook")-typescript "Let no other friend know me"-copy of Canadian Forum publication of "Lines for the Twenty-fifth Anniversary of the Declaration of War, August 4, 1914" (1939)-typescript "Lines written in 1945"-six typescript drafts of "The Lions" (There are blue magpies")-two manuscript drafts of "A lullaby for Falstaff"-typescript "The magical body"-typescript "Poem for Marnie"-typescript of "A masque for Jack Shadbolt", dedicated in manuscript to Jack and Doris Shadbolt and with manuscript notes-types
"The Fifth Commandment: Some Allusions to Sir Robert Filmer's Writings in Tristram Shandy" (reprint) 1940"The Queen of Tarts" in Contemporary Verse, Number 38, Summer 1952, pp. 18-19"An admiration for Dylan Thomas" in Fiddlehead, February 1954"A Contempt for Dylan Thomas" in The Paris Review, Summer 1955
"The Fifth Commandment: Some Allusions to Sir Robert Filmer's Writings in Tristram Shandy" (reprint) 1940"The Queen of Tarts" in Contemporary Verse, Number 38, Summer 1952, pp. 18-19"An admiration for Dylan Thomas" in Fiddlehead, February 1954"A Contempt for Dylan Thomas" in The Paris Review, Summer 1955
Drafts and final versions of earlier poems:-typescript of "A is for Amlit, from Walt Whitman to Robert Coover-typescript of "A is for Apple and also for Ape"-typescript of "Albatross over Sooke Harbour"-four drafts and one manuscript draft of "for Alfred Hayley drowned returning from Thornby Island"-typescript of "An Anatomy of Critics"-typescript "For Anne, Who Brought Tulips"-typescript "An Anniversary for time's poet Dylan Thomas"-copy of Canadian Forum publication (1940) of "Armed Merchantman"-four typescript drafts, with manuscript emendations, of "Invocation" ("Appear O mother")-typescript of "Ballad" ("I took my heart to the river")-carbon typescript of "The Ballad of Faustus"-two typescript drafts of "Ballad of the fox and the owl"-carbon typescript of "Ballad of Jack Shadbolt"-two typescript drafts of "The Ballad of the white bird"-typescript of "Because without you/The night is always empty"-six typescript drafts of "the blackberry pickers"-typescript of "The blue-eyed tree"-typescript of "The Boar
Drafts and final versions of earlier poems:-typescript of "A is for Amlit, from Walt Whitman to Robert Coover-typescript of "A is for Apple and also for Ape"-typescript of "Albatross over Sooke Harbour"-four drafts and one manuscript draft of "for Alfred Hayley drowned returning from Thornby Island"-typescript of "An Anatomy of Critics"-typescript "For Anne, Who Brought Tulips"-typescript "An Anniversary for time's poet Dylan Thomas"-copy of Canadian Forum publication (1940) of "Armed Merchantman"-four typescript drafts, with manuscript emendations, of "Invocation" ("Appear O mother")-typescript of "Ballad" ("I took my heart to the river")-carbon typescript of "The Ballad of Faustus"-two typescript drafts of "Ballad of the fox and the owl"-carbon typescript of "Ballad of Jack Shadbolt"-two typescript drafts of "The Ballad of the white bird"-typescript of "Because without you/The night is always empty"-six typescript drafts of "the blackberry pickers"-typescript of "The blue-eyed tree"-typescript of "The Boar
Newsclippings - reviews and publicity
Newsclippings - reviews and publicity
Earlier poems continued:-typescript "O love the sour smell of burnt wood"-typescript "The ontarioloy of poemism"-typescript "Orpheus and Eurydice"-typescript "The other mother"-typescript "The paradox"-typescript "Paris to Helen of Troy"-typescript "The parrot"-typescript "Pasiphae"-two typescript versions "The pig"-six typescript and three manuscript drafts "Poems grow tired of us"-typescript "Poem of myselves the figleaves"-typescript copy "Lines pro-pounding"-typescript "Proserpina I: The flower"-typescript "Proserpina II: Marriage with death"-typescript Pumpkin"-typescript "On a recent performance of Tennessee Williams' Summer and Smoke"-typescript and carbon of a different version of "Scaffold of children"-typescript "A scientist reflects on anti-inspiration of Daryl Hine"-typescript and carbon of a different version of "A sermon on bears"-typescript "lines of seeing"-typescript and carbon of a different version "Seven variations on a theft by George Barker"-carbon typescript "A short litany"-typescript
Earlier poems continued:-typescript "O love the sour smell of burnt wood"-typescript "The ontarioloy of poemism"-typescript "Orpheus and Eurydice"-typescript "The other mother"-typescript "The paradox"-typescript "Paris to Helen of Troy"-typescript "The parrot"-typescript "Pasiphae"-two typescript versions "The pig"-six typescript and three manuscript drafts "Poems grow tired of us"-typescript "Poem of myselves the figleaves"-typescript copy "Lines pro-pounding"-typescript "Proserpina I: The flower"-typescript "Proserpina II: Marriage with death"-typescript Pumpkin"-typescript "On a recent performance of Tennessee Williams' Summer and Smoke"-typescript and carbon of a different version of "Scaffold of children"-typescript "A scientist reflects on anti-inspiration of Daryl Hine"-typescript and carbon of a different version of "A sermon on bears"-typescript "lines of seeing"-typescript and carbon of a different version "Seven variations on a theft by George Barker"-carbon typescript "A short litany"-typescript
Newsclippings - reviews and publicity
Newsclippings - reviews and publicity
Newsclippings - reviews and publicity
Newsclippings - reviews and publicity
Friday's Child materials filed together by Wilfred Watson; not all are published in book.-Contents (not the published version-Biographical information-"The Neighbour's Cat" with manuscript revisions-"Nocturne" ("Drown Again") 1952-"Nocturne" ("From his cave"0-"Firm to the Scaffold"; manuscript title "The Emblem"-"The last door"-"The ballad of the white bird"-"Anchises and the God of Love"-"Poem" ("Do not brute animals kindle?")-"An Ability to Mourn the Refusal to Burn the Alien"-"To _" ("O white dove walking")-"Jocasta"-"Orpheus and Eurydice (1)"-"The Juniper Tree"-"Verse Letter to Dorothy Bazett"-three versions with manuscript revisions of "Lines: There is a babe in an old man growing"-"Lines: He seemed a shade removed"-"Lines: Let no other friend know me"-"Ghosts"-"Ecce Homo"-"I saw our mother with her dogs go hunting" (manuscript title: "Canvas")-"There stand those shining walls"-four versions of "Water's Paradox"-two versions of "Kwakiutl Poles"-four manuscript and five typescript versions of "In the ceme
Friday's Child materials filed together by Wilfred Watson; not all are published in book.-Contents (not the published version-Biographical information-"The Neighbour's Cat" with manuscript revisions-"Nocturne" ("Drown Again") 1952-"Nocturne" ("From his cave"0-"Firm to the Scaffold"; manuscript title "The Emblem"-"The last door"-"The ballad of the white bird"-"Anchises and the God of Love"-"Poem" ("Do not brute animals kindle?")-"An Ability to Mourn the Refusal to Burn the Alien"-"To _" ("O white dove walking")-"Jocasta"-"Orpheus and Eurydice (1)"-"The Juniper Tree"-"Verse Letter to Dorothy Bazett"-three versions with manuscript revisions of "Lines: There is a babe in an old man growing"-"Lines: He seemed a shade removed"-"Lines: Let no other friend know me"-"Ghosts"-"Ecce Homo"-"I saw our mother with her dogs go hunting" (manuscript title: "Canvas")-"There stand those shining walls"-four versions of "Water's Paradox"-two versions of "Kwakiutl Poles"-four manuscript and five typescript versions of "In the ceme
Friday's Child - carbon of manuscript. The Sorrowful Canadians and Other PoemsBook of poetry, published 1972(Includes poems written during this period)
Friday's Child - carbon of manuscript. The Sorrowful Canadians and Other PoemsBook of poetry, published 1972(Includes poems written during this period)
A bawl of wool: pomes by Jenny Blake, collected by WW and including typescript with some manuscript emendations of the following:-pome of not drawing roses-pome for a dead soldier-pome of a girl-pome of a church-pome of mirrors-Jenny Blake's pome of maidenheads-pome of drawing water-Jenny Blake's pome of thoughts-pome of hair-Jenny Blake's pome of rain-pome of grief-pome of smells-pome of emblems-pome of honour-Jenny Blake's pome of sun-pome of cuckolds-pome of Helen of Troy-pome of Venus-pome of glory-Jenny Blake's pome of windows-Jenny Blake's pome of spring-Jenny Blake's pome of maids of honour-pome of a husband-pome of words-pome of a girl-pome of ghosts-pome of nothingness-Lines: of flesh and bones-Lines: of iron-pome of drawing tigers-pome of the tree-pome of keeping silence-Lines for a pencil portrait-pome of shame-Lines: of thought-pome for Adam-Lines by Jenny Blake-Lines: out of nature-Jenny Blake's pome of unreason-Jenny Blake's pome of William Blake and the spinning Jenny-pome of rape-pome of the s
A bawl of wool: pomes by Jenny Blake, collected by WW and including typescript with some manuscript emendations of the following:-pome of not drawing roses-pome for a dead soldier-pome of a girl-pome of a church-pome of mirrors-Jenny Blake's pome of maidenheads-pome of drawing water-Jenny Blake's pome of thoughts-pome of hair-Jenny Blake's pome of rain-pome of grief-pome of smells-pome of emblems-pome of honour-Jenny Blake's pome of sun-pome of cuckolds-pome of Helen of Troy-pome of Venus-pome of glory-Jenny Blake's pome of windows-Jenny Blake's pome of spring-Jenny Blake's pome of maids of honour-pome of a husband-pome of words-pome of a girl-pome of ghosts-pome of nothingness-Lines: of flesh and bones-Lines: of iron-pome of drawing tigers-pome of the tree-pome of keeping silence-Lines for a pencil portrait-pome of shame-Lines: of thought-pome for Adam-Lines by Jenny Blake-Lines: out of nature-Jenny Blake's pome of unreason-Jenny Blake's pome of William Blake and the spinning Jenny-pome of rape-pome of the s
Loose materials filed by Watson with Friday's Child material; many of these poems are signed with WW's 1956 Paris address:-crayon drawing-ink and watercolor drawing-typescript of "A Song of Sucking Stones"-typescript of poem "When Francoise Sagan Drives her Jaguar" with manuscript revisions-typescript of "Lines: for the Reveillon of Clochards under Pont de Tournelle" with inscription "To Sheila a cause de suggestion about the title"-typescript of poem "A Love Story", with manuscript revisions and inscription to Sheila Watson-typescript of "The Poet and Laurentian Man" with manuscript inscription to Sheila Watson-typescript of "The Fish"-two typescript of "The lions"-two manuscript versions of "Lullaby for Falstaff"-three manuscript versions and six typescript versions of "I, Faustus, Long Ago" with various titles-ten typescript versions of "The yellow chrysanthemums"-typescript of poem "The double hook" with manuscript revisions and manuscript note "A dust cover blurb for the Penguin edition of the Double Hoo
Loose materials filed by Watson with Friday's Child material; many of these poems are signed with WW's 1956 Paris address:-crayon drawing-ink and watercolor drawing-typescript of "A Song of Sucking Stones"-typescript of poem "When Francoise Sagan Drives her Jaguar" with manuscript revisions-typescript of "Lines: for the Reveillon of Clochards under Pont de Tournelle" with inscription "To Sheila a cause de suggestion about the title"-typescript of poem "A Love Story", with manuscript revisions and inscription to Sheila Watson-typescript of "The Poet and Laurentian Man" with manuscript inscription to Sheila Watson-typescript of "The Fish"-two typescript of "The lions"-two manuscript versions of "Lullaby for Falstaff"-three manuscript versions and six typescript versions of "I, Faustus, Long Ago" with various titles-ten typescript versions of "The yellow chrysanthemums"-typescript of poem "The double hook" with manuscript revisions and manuscript note "A dust cover blurb for the Penguin edition of the Double Hoo
Reviews of Wilfred Watons's plays, and occasional book reviews - newsclippings
Reviews of Wilfred Watons's plays, and occasional book reviews - newsclippings
Poems by Jenny Blake, manuscript collected by WW containing original typescript of the following poems:A Bawl of Wool:-pome for a dead soldier-pome of not drawing roses-pome of a girl-pome of a church-pome of my uncle-pome of mirrors-pome of maidenheads-pome of unknowing-pome of drawing water-pome of thoughts-pome of hair-pome of rain-pome of grief-pome of smells-pome of emblems-pome of sun-pome of cuckolds-pome of Helen of Troy-pome of Venus-pome of windows-pome of spring-pome of maids of honour-pome of a husband-pome of addition-pome of words-pome of a girl-pome of ghosts-pome of nothingness-lines of flesh and bones-pome of drawing tigers-pome of a tree-pome of keeping silence-lines for a pencil portrait-pome of shame-lines, of thought-lines by Jenny Blake-Lines: Once out of nature-pome of William Blake's Jenny-pome of rape-pome of the she-pit-pome of arguments-long pome of fire-lines of seeing-lines in my flesh-pome of disappearing-Lines on the English tongue-pome of the world-pome of love's finger-pome of
Poems by Jenny Blake, manuscript collected by WW containing original typescript of the following poems:A Bawl of Wool:-pome for a dead soldier-pome of not drawing roses-pome of a girl-pome of a church-pome of my uncle-pome of mirrors-pome of maidenheads-pome of unknowing-pome of drawing water-pome of thoughts-pome of hair-pome of rain-pome of grief-pome of smells-pome of emblems-pome of sun-pome of cuckolds-pome of Helen of Troy-pome of Venus-pome of windows-pome of spring-pome of maids of honour-pome of a husband-pome of addition-pome of words-pome of a girl-pome of ghosts-pome of nothingness-lines of flesh and bones-pome of drawing tigers-pome of a tree-pome of keeping silence-lines for a pencil portrait-pome of shame-lines, of thought-lines by Jenny Blake-Lines: Once out of nature-pome of William Blake's Jenny-pome of rape-pome of the she-pit-pome of arguments-long pome of fire-lines of seeing-lines in my flesh-pome of disappearing-Lines on the English tongue-pome of the world-pome of love's finger-pome of
Friday's Child material filed together by Wilfred Watson:-typescript of Vernon Watkins, "Pledges to Darkness" from The Death Well-typescript of "Lagoon" with manuscript epigraph and date (1955)-carbon typescript of "Here at Vancouver" (July 1955)-carbon typescript of "A Lullaby for Falstaff"-typescript of "A Canticle for Children" with manuscript revisions-typescript of "utter the images of doom"-typescript of three versions of "Christmas Eve: Edmonton 1954"-typescript of TESTIMONY by Vernon Watkins"-typescript of "Lines for my four nieces"-manuscript letter from WW to "Whom it May Concern", making Sheila Watson his literary executor (April 17 1955)-typescript of two drafts with manuscript revisions of letter to Ann Taylor, editor, McClelland and Stewart offering Friday's Child (August 3 1953)-four typescript versions and two manuscript versions of undated letter addressed "Dear Sir" offering Friday's Child-typescript of "The Fallen Cedar", with manuscript signature and note "Point Gray, B.C."-typescript of "
Friday's Child material filed together by Wilfred Watson:-typescript of Vernon Watkins, "Pledges to Darkness" from The Death Well-typescript of "Lagoon" with manuscript epigraph and date (1955)-carbon typescript of "Here at Vancouver" (July 1955)-carbon typescript of "A Lullaby for Falstaff"-typescript of "A Canticle for Children" with manuscript revisions-typescript of "utter the images of doom"-typescript of three versions of "Christmas Eve: Edmonton 1954"-typescript of TESTIMONY by Vernon Watkins"-typescript of "Lines for my four nieces"-manuscript letter from WW to "Whom it May Concern", making Sheila Watson his literary executor (April 17 1955)-typescript of two drafts with manuscript revisions of letter to Ann Taylor, editor, McClelland and Stewart offering Friday's Child (August 3 1953)-four typescript versions and two manuscript versions of undated letter addressed "Dear Sir" offering Friday's Child-typescript of "The Fallen Cedar", with manuscript signature and note "Point Gray, B.C."-typescript of "
Typescripts of poems and miscellaneous prose (continued):-typescript "La belle dame sans merci"-typescript carbon "a left-handed apology to tac tanabe"-typescript "Let me not", with manuscript revisions-typescript "Lines" ("I dreamt I stood") with dedication "For Shuswap Wlp"-typescript "Lines" ("I work at the work") with dedication "For Slp. Wilfred"-typescript "Lines" ("I write this, not on the stones")-typescript "Lines"("This night a yellow yellow moon", with one manuscript revision-typescript "Lines" ("Upon St David's day")-typescript "Lines for St. David's Day")-typescript "Lines: I praise God's mankind in an old woman" (with return envelop postmarked Jan 7 1954)-typescript "Lines on Rembrandt's Painting"-typescript "Lines propounding"-two typescripts of "Love Song for Friday's Child"-typescript "Maud: a dirge for a Prime Minister's Lying in State"-typescript carbon "the machine gun"-typescript "Marvell deconstruction"-typescript "May the unsleeping"-typescript "Mettre en conte le dream" (19 pp. with va
Typescripts of poems and miscellaneous prose (continued):-typescript "La belle dame sans merci"-typescript carbon "a left-handed apology to tac tanabe"-typescript "Let me not", with manuscript revisions-typescript "Lines" ("I dreamt I stood") with dedication "For Shuswap Wlp"-typescript "Lines" ("I work at the work") with dedication "For Slp. Wilfred"-typescript "Lines" ("I write this, not on the stones")-typescript "Lines"("This night a yellow yellow moon", with one manuscript revision-typescript "Lines" ("Upon St David's day")-typescript "Lines for St. David's Day")-typescript "Lines: I praise God's mankind in an old woman" (with return envelop postmarked Jan 7 1954)-typescript "Lines on Rembrandt's Painting"-typescript "Lines propounding"-two typescripts of "Love Song for Friday's Child"-typescript "Maud: a dirge for a Prime Minister's Lying in State"-typescript carbon "the machine gun"-typescript "Marvell deconstruction"-typescript "May the unsleeping"-typescript "Mettre en conte le dream" (19 pp. with va
"The Ballad of Mother and Son" in The Paris Review, no. 10, Fall 1955, pp. 50-52"Graveyard on a Cliff of White Sand" in The London Magazine, August 1955, Vol. 2, no. 8, pp. 24-25
"The Ballad of Mother and Son" in The Paris Review, no. 10, Fall 1955, pp. 50-52"Graveyard on a Cliff of White Sand" in The London Magazine, August 1955, Vol. 2, no. 8, pp. 24-25
Typescripts of miscellaneous poems and prose (continued):-three typescript versions "The Herons/The Barking Herons" (first dedicated "For Sheila, W.W" and dated Dec. 10, 1956; third labeled "Version III" and dedicated "For SWP"-typescript and seven carbons "Hiku" ("A red-hatted sunrise glowering")-typescript and eight carbons "Hiku" ("Descartes thought")-seven typescript carbons "Hiku" ("Fred Flahiff went")-typescript and seven carbons "Hiku" ("The powerful")-two typescript versions "Hiku for a mechanical bestiary"-three carbons of 17 pp. typescript "Hiku-Haiku" ("In 1984")-three typescript carbons of "Hiku-Haiku" ("Stabat mater")-typescript "Hiyu Haiku" ("Today, thanks to")-typescript fragment "The HMS Valiant at Plymouth, 3"-two typescript carbons "I'm not by body's mind out on parole"-typescript of "Jenny Blake's Drawings" (with manuscript revisions)-typescript "jenny blake's pome of the albatross"-typescript "Jenny Blake's Tree of Benzine"
Typescripts of miscellaneous poems and prose (continued):-three typescript versions "The Herons/The Barking Herons" (first dedicated "For Sheila, W.W" and dated Dec. 10, 1956; third labeled "Version III" and dedicated "For SWP"-typescript and seven carbons "Hiku" ("A red-hatted sunrise glowering")-typescript and eight carbons "Hiku" ("Descartes thought")-seven typescript carbons "Hiku" ("Fred Flahiff went")-typescript and seven carbons "Hiku" ("The powerful")-two typescript versions "Hiku for a mechanical bestiary"-three carbons of 17 pp. typescript "Hiku-Haiku" ("In 1984")-three typescript carbons of "Hiku-Haiku" ("Stabat mater")-typescript "Hiyu Haiku" ("Today, thanks to")-typescript fragment "The HMS Valiant at Plymouth, 3"-two typescript carbons "I'm not by body's mind out on parole"-typescript of "Jenny Blake's Drawings" (with manuscript revisions)-typescript "jenny blake's pome of the albatross"-typescript "Jenny Blake's Tree of Benzine"
The What Not - typescript
The What Not - typescript
The What Not - typescript
The What Not - typescript
Poems by Jenny Blake; bound manuscript; manuscript alternate titles "dancing to their flute", "vowels pitches"Photocopy of manuscript prepared by Sheila Watson (with notes about original publications) for the bawl of wool section of Collected Poems (some poems in manuscript omitted from the Collected Poems
Poems by Jenny Blake; bound manuscript; manuscript alternate titles "dancing to their flute", "vowels pitches"Photocopy of manuscript prepared by Sheila Watson (with notes about original publications) for the bawl of wool section of Collected Poems (some poems in manuscript omitted from the Collected Poems
Collection of Jenny Blake poemanuscript Collected by WW, original typescript with manuscript revisions. The collection includes the following:-Jenny Blake drawings-Jenny Blake's Church-Jenny Blake ("I drew a girl")-Jenny Blake ("You draw a vase")-Jenny Blake's Child-Jenny Blake ("I don't ever risk drawing roses")-Girl's poem for a dead soldier-Girl's poem-Pome of glory-Jenny Blake's pome of nothingness-Jenny Blake's pome of windows-Jenny Blake's pome of oil-Jenny Blake's pome of nothingness-letter to T.S. Eliot-Jenny Blake's poem of the Japanese woman-Jenny Blake's poem of the moon-Jenny Blake's poem of the spinning jenny-Jenny Blake's Ulysses-Jenny Blake's sonnet of oil-pome of the trap for John Keats-pome of maidenheads-Jenny Blake's pome of hair-pome of King Lear-pome of John Donne-Jenny Blake's pome of experience-Jenny Blake's pome of spring-Jenny Blake's pome of cuckolds-Jenny Blake's pome of maids of honour-Jenny Blake's pome of honour-Poem of nothingness-Jenny Blake's ode on the cock pheasantJenny's po
Collection of Jenny Blake poemanuscript Collected by WW, original typescript with manuscript revisions. The collection includes the following:-Jenny Blake drawings-Jenny Blake's Church-Jenny Blake ("I drew a girl")-Jenny Blake ("You draw a vase")-Jenny Blake's Child-Jenny Blake ("I don't ever risk drawing roses")-Girl's poem for a dead soldier-Girl's poem-Pome of glory-Jenny Blake's pome of nothingness-Jenny Blake's pome of windows-Jenny Blake's pome of oil-Jenny Blake's pome of nothingness-letter to T.S. Eliot-Jenny Blake's poem of the Japanese woman-Jenny Blake's poem of the moon-Jenny Blake's poem of the spinning jenny-Jenny Blake's Ulysses-Jenny Blake's sonnet of oil-pome of the trap for John Keats-pome of maidenheads-Jenny Blake's pome of hair-pome of King Lear-pome of John Donne-Jenny Blake's pome of experience-Jenny Blake's pome of spring-Jenny Blake's pome of cuckolds-Jenny Blake's pome of maids of honour-Jenny Blake's pome of honour-Poem of nothingness-Jenny Blake's ode on the cock pheasantJenny's po
A bawl of wool: pomes by Jenny Blake, typescript of poem collection, with some manuscript emendations, collected by WW, and including the following poems:-pome of not drawing roses-pome for a dead soldier-pome of a girl-pome of a church-pome of mirrors-pome of windows-Jenny Blake's pome of spring-pome of maidenheads-pome of drawing water-Jenny Blake's pome of thoughts-pome of hair-pome of rain-pome of emblems-pome of honour-pome of glory-pome of darkness-Lines of flesh and bones-pome of drawing tigers-pome of waxwings-pome of shame-pome for Adam-Lines of glory-pome of cuckolds-pome of autumn-pome of Helen of Troy-pome of Venus-pome of maids of honour-pome of a wire bridegroom-pome of the unicorn-pome of nothingness-pome of the she-pit-lines of rape-pome of fire-pome of brassieres for the breasts of wisdom-pome of love's brass finger-pome of smells-Lines of iron-Lines of thought-pome of a girl-Lines in my flesh-Lines of seeing-lines of grief-lines of a maiden-ape of God-Song ("There blossoms forever")-Lines on
A bawl of wool: pomes by Jenny Blake, typescript of poem collection, with some manuscript emendations, collected by WW, and including the following poems:-pome of not drawing roses-pome for a dead soldier-pome of a girl-pome of a church-pome of mirrors-pome of windows-Jenny Blake's pome of spring-pome of maidenheads-pome of drawing water-Jenny Blake's pome of thoughts-pome of hair-pome of rain-pome of emblems-pome of honour-pome of glory-pome of darkness-Lines of flesh and bones-pome of drawing tigers-pome of waxwings-pome of shame-pome for Adam-Lines of glory-pome of cuckolds-pome of autumn-pome of Helen of Troy-pome of Venus-pome of maids of honour-pome of a wire bridegroom-pome of the unicorn-pome of nothingness-pome of the she-pit-lines of rape-pome of fire-pome of brassieres for the breasts of wisdom-pome of love's brass finger-pome of smells-Lines of iron-Lines of thought-pome of a girl-Lines in my flesh-Lines of seeing-lines of grief-lines of a maiden-ape of God-Song ("There blossoms forever")-Lines on
Tables of contents for a Jenny Blake collection and carbon typescript of a very few of the poems for it, including the following:-pome of words-pome of the falseness of pictures-pome of a husband-lines of flesh and bones-what do I, Jenny Blake, know/of the life of Maria Egyptiaca-Persephone's black husband Pluto-Paradox-Lines upon a naked line
Tables of contents for a Jenny Blake collection and carbon typescript of a very few of the poems for it, including the following:-pome of words-pome of the falseness of pictures-pome of a husband-lines of flesh and bones-what do I, Jenny Blake, know/of the life of Maria Egyptiaca-Persephone's black husband Pluto-Paradox-Lines upon a naked line
Typescript of two poems, "I think I have gone one better than Milton" and "November the ninth"
Typescript of two poems, "I think I have gone one better than Milton" and "November the ninth"
Typescript of collection of poems titled Bicycle with two different tables of contents and original typescript of pp. 104-161, with some pp. missing. This collection comes at WW's transition from the Jenny Blake poems to the choric verse of Sorrowful Canadians. It includes original typescripts of the following poems:-"To Irving Layton"-"The magical body"-"The long, cool seminars"-"letter to a helicopter"-"Viet Cong Chorale"-"sons of Oedipus"-"the porcupine"-"rain"-"prostitution of Canada in an age of leisure"-"no vision"-"portrait of a girl with leaf"-"four letters"-"portrait of the artist during centennial year"-"Lord Jesus, forgive us"-"the dead sunflowers"-"Jack's death"-"I prepare my grave in quicksand"-'the dirge"-"the verse reading"-"the trojan horse"-"resurrection"-"the suicide"-"Je choisis vos sonnets qui sont plus doloureux"-"the sucked and hungry lioness"-"the common cold"-"conflagration"-"such welcome and unwelcome things at once"-"what are you doing all the other day"-"portrait of the student body
Typescript of collection of poems titled Bicycle with two different tables of contents and original typescript of pp. 104-161, with some pp. missing. This collection comes at WW's transition from the Jenny Blake poems to the choric verse of Sorrowful Canadians. It includes original typescripts of the following poems:-"To Irving Layton"-"The magical body"-"The long, cool seminars"-"letter to a helicopter"-"Viet Cong Chorale"-"sons of Oedipus"-"the porcupine"-"rain"-"prostitution of Canada in an age of leisure"-"no vision"-"portrait of a girl with leaf"-"four letters"-"portrait of the artist during centennial year"-"Lord Jesus, forgive us"-"the dead sunflowers"-"Jack's death"-"I prepare my grave in quicksand"-'the dirge"-"the verse reading"-"the trojan horse"-"resurrection"-"the suicide"-"Je choisis vos sonnets qui sont plus doloureux"-"the sucked and hungry lioness"-"the common cold"-"conflagration"-"such welcome and unwelcome things at once"-"what are you doing all the other day"-"portrait of the student body
A Bawl of Wool: Pomes by Jenny Blake-typescript of poems with manuscript revisions
A Bawl of Wool: Pomes by Jenny Blake-typescript of poems with manuscript revisions
"The Lice" in Prism, Fall 1960, pp. 34-37 (two copies)
"The Lice" in Prism, Fall 1960, pp. 34-37 (two copies)
Typescripts of poems and miscellaneous prose (continued):-three typescript version "Retract the flame/Retract the fire"-typescript and four carbons "riddle" ("I am a cat")-two complete typescript carbons and two incomplete carbons of "riddle" ("I am not as tall")-typescript "Riddle/crib"-typescript carbon "riddle for irma"-typescript "riddle/machine"-typescript "Satire four: the ape in the clay"-typescript "The scaffold: a canticle of children"-typescript Scaffold of children"-typescript "The scales"-three typescript carbons "short essay on Agamemnon"-typescript carbon "small talk in a barber shop, o.s."-typescript "A song for the burial"-typescript "Sonnet: Now all my thought was knotted in my brain"-two typescript carbons "stone riddle"-typescript "Sucking stones" (with manuscript excision)-typescript "The sun (folks) is a yellow bucket"-typescript "this our still unravished child"-typescript "There was heard afar"-typescript "This" (Nov 27/60)-typescript "This was my day but yet I knew it not"-twelve pp. t
Typescripts of poems and miscellaneous prose (continued):-three typescript version "Retract the flame/Retract the fire"-typescript and four carbons "riddle" ("I am a cat")-two complete typescript carbons and two incomplete carbons of "riddle" ("I am not as tall")-typescript "Riddle/crib"-typescript carbon "riddle for irma"-typescript "riddle/machine"-typescript "Satire four: the ape in the clay"-typescript "The scaffold: a canticle of children"-typescript Scaffold of children"-typescript "The scales"-three typescript carbons "short essay on Agamemnon"-typescript carbon "small talk in a barber shop, o.s."-typescript "A song for the burial"-typescript "Sonnet: Now all my thought was knotted in my brain"-two typescript carbons "stone riddle"-typescript "Sucking stones" (with manuscript excision)-typescript "The sun (folks) is a yellow bucket"-typescript "this our still unravished child"-typescript "There was heard afar"-typescript "This" (Nov 27/60)-typescript "This was my day but yet I knew it not"-twelve pp. t
Typescripts and manuscripts of poems from the 1950s and early 1960':-five typescript drafts with manuscript revisions of "The Double Hook"-two versions of "Not as to our Semele"-typescript and two carbons of "All their women's talk", retitled in manuscript "Pasiphae"-typescript "Lines" ("This new building")-typescript "Lines" ("I wish I had the sad drawn countenance")-typescript "Retrospective Lampoon for Jack Shadbolt"-typescript "Chrysanthemums"-typescript "The Other Mother"-typescript "The refectory table"-typescript "A ballad to death"-typescript "The hunger"-typescript "Cauchmer"-typescript "The vineyard complains of the harsh steward"-typescript "The painter"-typescript "Lines, pro-pounding"-typescript "A prayer for winter"-typescript "Irving Layton"-typescript "Ballad of Joy"-typescript "The net"-typescript McLuhan versified" (with second typescript and manuscript version of opening)-typescript "The simple cup"-typescript "The interruption"-typescript "Lines of cork"-typescript "Lines" ("These are the
Typescripts and manuscripts of poems from the 1950s and early 1960':-five typescript drafts with manuscript revisions of "The Double Hook"-two versions of "Not as to our Semele"-typescript and two carbons of "All their women's talk", retitled in manuscript "Pasiphae"-typescript "Lines" ("This new building")-typescript "Lines" ("I wish I had the sad drawn countenance")-typescript "Retrospective Lampoon for Jack Shadbolt"-typescript "Chrysanthemums"-typescript "The Other Mother"-typescript "The refectory table"-typescript "A ballad to death"-typescript "The hunger"-typescript "Cauchmer"-typescript "The vineyard complains of the harsh steward"-typescript "The painter"-typescript "Lines, pro-pounding"-typescript "A prayer for winter"-typescript "Irving Layton"-typescript "Ballad of Joy"-typescript "The net"-typescript McLuhan versified" (with second typescript and manuscript version of opening)-typescript "The simple cup"-typescript "The interruption"-typescript "Lines of cork"-typescript "Lines" ("These are the
Typescripts and manuscripts of poems from the period of The Sorrowful Canadians:-manuscript draft of "They opened their mouths"-manuscript draft of "The sorrowful Canadians/the radiant grief of the/owners of so much snow"-manuscript draft of "It was zero/and 2 birds together"-Manuscript draft in examination booklet of "May I ask you a question"-manuscript draft in examination booklet and two typescript versions of "self-portrait aged seventeen"-manuscript fragment of "portrait of the artist as a hangwoman"-manuscript draft of "prepill"-two manuscript drafts of "This is the air"-examination booklet with manuscript drafts of "son don't let your hair grow long" and "liberate these prisoners"-examination booklet with manuscript drafts of "the department of invaders"-manuscript draft of fragment in examination booklet and three typescript drafts of "the invaders of Vietnam are prisoners"-manuscript in examination booklet and typescript version of "tea in a black tea cup"-typescript of "poem" ("you streamed about m
Typescripts and manuscripts of poems from the period of The Sorrowful Canadians:-manuscript draft of "They opened their mouths"-manuscript draft of "The sorrowful Canadians/the radiant grief of the/owners of so much snow"-manuscript draft of "It was zero/and 2 birds together"-Manuscript draft in examination booklet of "May I ask you a question"-manuscript draft in examination booklet and two typescript versions of "self-portrait aged seventeen"-manuscript fragment of "portrait of the artist as a hangwoman"-manuscript draft of "prepill"-two manuscript drafts of "This is the air"-examination booklet with manuscript drafts of "son don't let your hair grow long" and "liberate these prisoners"-examination booklet with manuscript drafts of "the department of invaders"-manuscript draft of fragment in examination booklet and three typescript drafts of "the invaders of Vietnam are prisoners"-manuscript in examination booklet and typescript version of "tea in a black tea cup"-typescript of "poem" ("you streamed about m
Portions of a manuscript (pp. 18 to 107 with some pp. missing) of Jenny Blake poems; pp. 19-77 are carbon typescripts., while pp. 78 and on (a section titled "last poems of Jenny Blake") are original typescripts. The collection includes the following:-pome of sun-pome of cuckolds-pome Helen of Troy-pome of Venus-pome of addition-pome of words-pome of a husband-pome of a tree-lines for a pencil portrait-Lines by Jenny Blake-Lines: once out of nature-Pome by William Blake's Jenny-pome of rape-pome of the she-pit-pome of shame-Lines of flesh and bones-pome of nothingness-Lines: of thought-pome of arguments-Lines in my flesh-Lines of seeing-pome of disappearing-pome of the world-pome of love's finger-pome of headlines-this is my fiftieth letter-pome of broken hearts-I am that coy Kore-some lost desperate adventurer-pome of the far-gone world-pome of anthropologists-pome of ants-Sir, with my brassiere and luck at the hook-Sir, I have one false nipple and one true one-Sir, I and you know very well-Sir you are my ab
Portions of a manuscript (pp. 18 to 107 with some pp. missing) of Jenny Blake poems; pp. 19-77 are carbon typescripts., while pp. 78 and on (a section titled "last poems of Jenny Blake") are original typescripts. The collection includes the following:-pome of sun-pome of cuckolds-pome Helen of Troy-pome of Venus-pome of addition-pome of words-pome of a husband-pome of a tree-lines for a pencil portrait-Lines by Jenny Blake-Lines: once out of nature-Pome by William Blake's Jenny-pome of rape-pome of the she-pit-pome of shame-Lines of flesh and bones-pome of nothingness-Lines: of thought-pome of arguments-Lines in my flesh-Lines of seeing-pome of disappearing-pome of the world-pome of love's finger-pome of headlines-this is my fiftieth letter-pome of broken hearts-I am that coy Kore-some lost desperate adventurer-pome of the far-gone world-pome of anthropologists-pome of ants-Sir, with my brassiere and luck at the hook-Sir, I have one false nipple and one true one-Sir, I and you know very well-Sir you are my ab
Loose manuscripts/typescripts of Jenny Blake poems:-epigraph from The Human Animal-the retort of form-I, jenny blake, would rather slide into a poem on my back-I, Jenny Blake/An indifferent head of yellow hair-pome of the absurd-Jenny Blake's pome of addition-pome of ants (two versions)-Jenny Blake's pome of arrogance-Jenny Blake's pome of autumn-Jenny Blake's pome of blue chalk-pome of brassieres for the breasts of wisdom-Jenny Blake's pome of broken hearts-Jenny Blake's pome of Bussy d'Ambois-pome of carnal knowledge-Jenny Blake's pome of a church-Jenny Blake's pome of a clothes-hanger-Jenny Blake's pome of Coriolanus-pome of critics-Jenny Blake's pome of cuckolds-Jenny Blake's pome for a dead soldier (two versions)-pome of defending-pome of disappearing-Jenny Blake's pome of the dragon-pome of drawing tigers-Jenny Blake's pome of destroying oneself-pome of eggheads-Jenny Blake's pome of emblems (three versions)-Jenny Blake's epilogue to King Lear-Jenny Blake's pome of experience-pome of the far-gone world-
Loose manuscripts/typescripts of Jenny Blake poems:-epigraph from The Human Animal-the retort of form-I, jenny blake, would rather slide into a poem on my back-I, Jenny Blake/An indifferent head of yellow hair-pome of the absurd-Jenny Blake's pome of addition-pome of ants (two versions)-Jenny Blake's pome of arrogance-Jenny Blake's pome of autumn-Jenny Blake's pome of blue chalk-pome of brassieres for the breasts of wisdom-Jenny Blake's pome of broken hearts-Jenny Blake's pome of Bussy d'Ambois-pome of carnal knowledge-Jenny Blake's pome of a church-Jenny Blake's pome of a clothes-hanger-Jenny Blake's pome of Coriolanus-pome of critics-Jenny Blake's pome of cuckolds-Jenny Blake's pome for a dead soldier (two versions)-pome of defending-pome of disappearing-Jenny Blake's pome of the dragon-pome of drawing tigers-Jenny Blake's pome of destroying oneself-pome of eggheads-Jenny Blake's pome of emblems (three versions)-Jenny Blake's epilogue to King Lear-Jenny Blake's pome of experience-pome of the far-gone world-
Typescript with manuscript revisions of poems collected under title This Bicycle is Wet with bombs and other poems; many of the poems became part of The Sorrowful Canadians:-typescript with holography additions "portrait of a girl with leaf"-two typescript drafts, one with revisions, of "Lines" ("She shook her hair and said no")-typescript of "Lines" ("I ran down the street")-typescript of "Lines for Jack McClelland"-typescript of "Lines for a Brave Viet Cong Eli Mandel"-typescript of "A Christmas Poem"-typescript of "glossary of four letter words"-typescript of "poem" (version of "portrait of the student body as mayor hawrelak")-two typescript versions, with manuscript revisions, of "The soldier goes to Vietnam"-two typescripts of "What gorgeous graveflowers blossom at that throat"-typescript of "an excess to overkill"
Typescript with manuscript revisions of poems collected under title This Bicycle is Wet with bombs and other poems; many of the poems became part of The Sorrowful Canadians:-typescript with holography additions "portrait of a girl with leaf"-two typescript drafts, one with revisions, of "Lines" ("She shook her hair and said no")-typescript of "Lines" ("I ran down the street")-typescript of "Lines for Jack McClelland"-typescript of "Lines for a Brave Viet Cong Eli Mandel"-typescript of "A Christmas Poem"-typescript of "glossary of four letter words"-typescript of "poem" (version of "portrait of the student body as mayor hawrelak")-two typescript versions, with manuscript revisions, of "The soldier goes to Vietnam"-two typescripts of "What gorgeous graveflowers blossom at that throat"-typescript of "an excess to overkill"
Jenny Blake material-typescript draft of the beginning of an interview between "Jenny Blake" and "Wilfred Watson"-manuscript draft of "Jenny Blake's pome of horror." See Also 95-131-644, 645 (drawings of Jenny Blake poems). Friday's Child (Book of poetry, published 1955)
Jenny Blake material-typescript draft of the beginning of an interview between "Jenny Blake" and "Wilfred Watson"-manuscript draft of "Jenny Blake's pome of horror." See Also 95-131-644, 645 (drawings of Jenny Blake poems). Friday's Child (Book of poetry, published 1955)
Jenny Blake. A Bawl of Wool and other poems - typescript and table of contents
Jenny Blake. A Bawl of Wool and other poems - typescript and table of contents
Typescript and carbon of untitled poem collection on a "Centennial" theme, and including:-sixteen brief number poems with manuscript of 11th poem-"Irving Layton"-Ralph Gustafson"-"Brother Canada"
Typescript and carbon of untitled poem collection on a "Centennial" theme, and including:-sixteen brief number poems with manuscript of 11th poem-"Irving Layton"-Ralph Gustafson"-"Brother Canada"
"Collage" in The Literary Review, VIII:4, Summer 1965, pp. 503-510; with additional photocopyInterview with WW about the Yardbird Suite in Inside, No. 1, Vol. II
"Collage" in The Literary Review, VIII:4, Summer 1965, pp. 503-510; with additional photocopyInterview with WW about the Yardbird Suite in Inside, No. 1, Vol. II
Original typescript of "The Lice", with manuscript corrections
Original typescript of "The Lice", with manuscript corrections
"Interstructuralization in Drama and the other arts" in Thought from the Learned Societies 1961Poems by Wilfred Watson in Prism 2:2, winter 1961
"Interstructuralization in Drama and the other arts" in Thought from the Learned Societies 1961Poems by Wilfred Watson in Prism 2:2, winter 1961
Cockcrow and the Gulls - six pp. of manuscript and two typescripts (18 pp and 56 pp), the latter with extensive manuscript revisions
Cockcrow and the Gulls - six pp. of manuscript and two typescripts (18 pp and 56 pp), the latter with extensive manuscript revisions
Cockcrow and the Gulls - Copy of play
Cockcrow and the Gulls - Copy of play
Cockcrow and the Gulls - bound typescript; some manuscript revisions (two copies)
Cockcrow and the Gulls - bound typescript; some manuscript revisions (two copies)
Cockcrow and the Gulls - Copy of play; not many revisions
Cockcrow and the Gulls - Copy of play; not many revisions
Cockcrow and the Gulls - Copy of play
Cockcrow and the Gulls - Copy of play
Cockcrow and the Gulls - program notes written by Ian Sowton, with manuscript note from Sowton to Watson appended to the end of it; includes a carbon typescript of :"Director's Note" by Gordon Peacock
Cockcrow and the Gulls - program notes written by Ian Sowton, with manuscript note from Sowton to Watson appended to the end of it; includes a carbon typescript of :"Director's Note" by Gordon Peacock
Vision of Cockcrow Draft of Summer 58, original typescript
Vision of Cockcrow Draft of Summer 58, original typescript
Cockcrow and the Gulls - bound typescript; some manuscript revisions (one copy)
Cockcrow and the Gulls - bound typescript; some manuscript revisions (one copy)
Cockcrow and the Gulls - Primary play script with some inserted pp. and manuscript excisions; second copy of script with some revisions
Cockcrow and the Gulls - Primary play script with some inserted pp. and manuscript excisions; second copy of script with some revisions
Cockcrow and the Gulls - Master copy of play for G.P. [Gordon Peacock]; includes all five acts with act 1 proofed and corrected.
Cockcrow and the Gulls - Master copy of play for G.P. [Gordon Peacock]; includes all five acts with act 1 proofed and corrected.
"Interstructuralization in Drama and the other arts" in Humanities Association Bulletin, Winter 1962; two copies
"Interstructuralization in Drama and the other arts" in Humanities Association Bulletin, Winter 1962; two copies
Vision of Cockcrow - 'plan' and 'definition' of action
Vision of Cockcrow - 'plan' and 'definition' of action
Theatre design - drawings by Norman Yates for set design of Cockcrow and the Gulls10 drawings, 41x55 cmOversize 95-131-3, Box 1
Theatre design - drawings by Norman Yates for set design of Cockcrow and the Gulls10 drawings, 41x55 cmOversize 95-131-3, Box 1
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Reviews by Wilfred Watson:-typescript draft of review of Marian Engel The Glassy Sea-"Kiyooka, Lent, Humphreys" - copy-edited typescript-"Kiyooka, Lent, Humphreys" - original typescript-tidetables over which is written manuscript draft of an unpublished autobiographical introduction to Wilfred Watson Collected Plays-offprint review of Understanding Media: The Extensions of Man by Marshall McLuhan, 1964 and review of The Anniversaries, edited by Frank Manley 1963
Reviews by Wilfred Watson:-typescript draft of review of Marian Engel The Glassy Sea-"Kiyooka, Lent, Humphreys" - copy-edited typescript-"Kiyooka, Lent, Humphreys" - original typescript-tidetables over which is written manuscript draft of an unpublished autobiographical introduction to Wilfred Watson Collected Plays-offprint review of Understanding Media: The Extensions of Man by Marshall McLuhan, 1964 and review of The Anniversaries, edited by Frank Manley 1963
Trial of Corporal Adam - "copy for transcribing" for Coach House Theatre production with two pp. drawings inserted
Trial of Corporal Adam - "copy for transcribing" for Coach House Theatre production with two pp. drawings inserted
Trial of Corporal Adam - typescript copy with manuscript additions and revisions
Trial of Corporal Adam - typescript copy with manuscript additions and revisions
"Pomes by Jenny Blake" in Humanities Association Bulletin, Fall 1963; two copies
"Pomes by Jenny Blake" in Humanities Association Bulletin, Fall 1963; two copies
Trial of Corporal Adam - mimeographed script autographed to Diane Bessai with notes and inserted examination booklet with manuscript revisions
Trial of Corporal Adam - mimeographed script autographed to Diane Bessai with notes and inserted examination booklet with manuscript revisions
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Watson/McLuhan correspondence 1963-1968; undated letters and loose clippings, essays, and citations sent by McLuhan to Watson"-manuscript drafts of four letters WW to MM-six manuscript letters from MM to WW-newspaper clipping-carbon of typescript "Method of Procedure in Establishing the of Sensory Modality Usage" by ?-typescript "A field guide to Government jargon" by Spencer Klaw-typescript excerpt from "The colors of clarity" by John Holloway-text of address by MM to National Film Board on "Future of the Film in Canada"-photocopy of page from Natural Language and the Computer, ed. Paul L. Garvin-copy of The Mike November 20 1964-"Changing Notions of Consciousness of Change in Philosophy from the Seventeenth Century to the Present" by A. Eisenberg.
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM), mostly about "From Cliche to Archetype", from 1963-1965. Occasional letters from MM to Sheila Watson (SW) and to and from Eric McLuhan (EM):-MM to WW; September 27, 1963-MM to WW and SW, February 8, 1964-MM to WW and SW, February 9, 1964-MM to WW and SW, [1964]-MM to WW and SW, [1964]-WW to MM, March 10, 1964; draft-MM to WW, March 17, 1961-MM to WW, [March 1964?]-MM to WW, March 24, 1964-MM to WW, March 31, 1964-MM to WW, April 10, 1963-MM to WW, April 13, 1964-MM to WW and SW; [May 1964?]-MM to WW, May 13, 1964-MM to WW and SW, "sat. night" [1964]-MM to WW, "Sunday 4 pm" [1964]-MM to WW, [1964]-MM to WW, [1964]-MM to WW, July 10, 1964-MM to WW and SW, July 12, [1964]-MM to WW, July 14, 1964-MM to WW, July 16, 1964-MM to WW, July 21 [1964]-MM to WW, July 23, [1964]; draft-WW to MM, July 26, 1964-MM to WW, "Thurs. 5 pm" [1964]-carbon of typescript of "Bilimbo" from WW to MM-carbon of typescript of "Bilimbo Awards" from WW to MM-MM to WW, "S
Wail for Two Pedestals - typescript of play
Wail for Two Pedestals - typescript of play
"Wail for Two Pedestals" (Yardbird Suite, 1964; published 1965).Wail for Two Pedestals - typescript "draft from which the published version was made" with information from performance
"Wail for Two Pedestals" (Yardbird Suite, 1964; published 1965).Wail for Two Pedestals - typescript "draft from which the published version was made" with information from performance
Wail for Two Pedestals - typescript of play
Wail for Two Pedestals - typescript of play
"Tarquin, the Master-Mistress and the Dark Lady--" in Humanities Association Bulletin, Autumn 1964; offprint of same article interleaved; two copies of Bulletin
"Tarquin, the Master-Mistress and the Dark Lady--" in Humanities Association Bulletin, Autumn 1964; offprint of same article interleaved; two copies of Bulletin
Two typescript version, one with extensive manuscript revisions, of "The Wasps"
Two typescript version, one with extensive manuscript revisions, of "The Wasps"
Wail for Two Pedestals in Humanities Association Bulletin, Fall 1965; three offprints of Wail for Two Pedestals
Wail for Two Pedestals in Humanities Association Bulletin, Fall 1965; three offprints of Wail for Two Pedestals
Typescripts of two poems bound together, "Essay on Criticism" (original) and "Albatross over Sooke Harbour" (carbon)
Typescripts of two poems bound together, "Essay on Criticism" (original) and "Albatross over Sooke Harbour" (carbon)
Poems submitted to and returned from The London Magazine (?), including typescripts of the following poems"-"The white bird"-"Yeats and Maud Gonne"-"Of Henrickje as Bathsheba"-"Semele"-"The Windy Bishop"-"Firm to the Scaffold"-"Ghosts"-"Lines: Toronto lies at the heart"-"In the cemetery of the sun"-"And should she ask"-"A Curse of Dahlias"-"In November"-"O Canada"-"Love Song"
Poems submitted to and returned from The London Magazine (?), including typescripts of the following poems"-"The white bird"-"Yeats and Maud Gonne"-"Of Henrickje as Bathsheba"-"Semele"-"The Windy Bishop"-"Firm to the Scaffold"-"Ghosts"-"Lines: Toronto lies at the heart"-"In the cemetery of the sun"-"And should she ask"-"A Curse of Dahlias"-"In November"-"O Canada"-"Love Song"
."Chez-vous Comfortable Pew" - manuscript material(Yardbird Suite, 1964; published 1965).
."Chez-vous Comfortable Pew" - manuscript material(Yardbird Suite, 1964; published 1965).
After Kafka : The Judgement - manuscript drafts of various passages; original typescript
After Kafka : The Judgement - manuscript drafts of various passages; original typescript
Chez-vous Comfortable Pew - photocopy of typescript with manuscript revisions "Two Teardrops frozen in the rear-view mirror" (Walterdale Playhouse, 1967; unpublished)
Chez-vous Comfortable Pew - photocopy of typescript with manuscript revisions "Two Teardrops frozen in the rear-view mirror" (Walterdale Playhouse, 1967; unpublished)
The Box: a motion picture scenario adapted for stage presentation - typescript of play
The Box: a motion picture scenario adapted for stage presentation - typescript of play
Hardback journal cover with flyleaves covered with manuscript including an outline for "writing my father's life"
Hardback journal cover with flyleaves covered with manuscript including an outline for "writing my father's life"
The Dark Village Unpublished poem collection, carbon copy, 135 pp.
The Dark Village Unpublished poem collection, carbon copy, 135 pp.
Loose-leaf poems, typescripts and manuscripts; choric poems from the period of The Sorrowful Canadians:-typescript "O Canada"-two typescript versions of "lines 1968"-typescript "lines 1971" -two typescript versions "On the water plane"-one manuscript and four typescript versions of "Piteopolis"-manuscript "portrait of abraham lincoln"-manuscript "portrait of jack shadbolt"-manuscript "portrait of myself aged thirty-four years and a half"-manuscript "portrait of myself as the crucified unrepentant thief"-manuscript "portrait of smw as the chief, the only mourner"-typescript "lines 1967" ("portrait of the student body as Mount Eisenhower")-two typescript version of "portrait as a woman"; one followed by "dialogue between jenny blake and herself"-manuscript "self-portrait of the artist as self-portrait"-one manuscript and two typescript versions "The predator can go too far"-twenty-one loose-leaf pp. and three examination booklets of manuscript and typescript drafts of a poem around the figure of "Professor Eros
Loose-leaf poems, typescripts and manuscripts; choric poems from the period of The Sorrowful Canadians:-typescript "O Canada"-two typescript versions of "lines 1968"-typescript "lines 1971" -two typescript versions "On the water plane"-one manuscript and four typescript versions of "Piteopolis"-manuscript "portrait of abraham lincoln"-manuscript "portrait of jack shadbolt"-manuscript "portrait of myself aged thirty-four years and a half"-manuscript "portrait of myself as the crucified unrepentant thief"-manuscript "portrait of smw as the chief, the only mourner"-typescript "lines 1967" ("portrait of the student body as Mount Eisenhower")-two typescript version of "portrait as a woman"; one followed by "dialogue between jenny blake and herself"-manuscript "self-portrait of the artist as self-portrait"-one manuscript and two typescript versions "The predator can go too far"-twenty-one loose-leaf pp. and three examination booklets of manuscript and typescript drafts of a poem around the figure of "Professor Eros
Typescript for one version of The Sorrowful Canadians with two versions of a table of contents, and original typescripts of the following poems:-"epigraph by Jenny Blake"-"Hanoi"-"Form three" ("Hanoi is here")-"Form four" ("je t'attends")-"form seven" ("the invaders of Viet Nam are prisoners")-"form eight" ("the department of invaders")-"form nine" ("the invasion of Canada is over")-"they inked into my intestines" (very early prose poem version)-"form eleven" ("an ulcer in every crease of my heart")-"form twelve" ("the sorrowful canadians")-"form 44" ("witch on cowback")-"form 16" ("the gaudy blabbing and remorseless day")-"form 43" ("go gorgeous if you must")-"form 23" ("and he shall lick the little girl's neck")-"form ten" ("they inked in my intestines")-"form 27" ("how solitary doth this city sit")-"form 33" ("the metaphysical shudder")-"form 39" ("o helix culpa")-"form 52" ("the fifth of the jet is a white wing feather")-"form 53" ("son col secouera cette blanche agonie")-"form 59" ("I may be striped alth
Typescript for one version of The Sorrowful Canadians with two versions of a table of contents, and original typescripts of the following poems:-"epigraph by Jenny Blake"-"Hanoi"-"Form three" ("Hanoi is here")-"Form four" ("je t'attends")-"form seven" ("the invaders of Viet Nam are prisoners")-"form eight" ("the department of invaders")-"form nine" ("the invasion of Canada is over")-"they inked into my intestines" (very early prose poem version)-"form eleven" ("an ulcer in every crease of my heart")-"form twelve" ("the sorrowful canadians")-"form 44" ("witch on cowback")-"form 16" ("the gaudy blabbing and remorseless day")-"form 43" ("go gorgeous if you must")-"form 23" ("and he shall lick the little girl's neck")-"form ten" ("they inked in my intestines")-"form 27" ("how solitary doth this city sit")-"form 33" ("the metaphysical shudder")-"form 39" ("o helix culpa")-"form 52" ("the fifth of the jet is a white wing feather")-"form 53" ("son col secouera cette blanche agonie")-"form 59" ("I may be striped alth
Under the Black Bridge - mimeograph copy with rehearsal and performance notes
Under the Black Bridge - mimeograph copy with rehearsal and performance notes
The New Icarus - manuscript scenario and draft of first page of play
The New Icarus - manuscript scenario and draft of first page of play
Tom Jones - mimeograph copy with program of premiere performance folded in
Tom Jones - mimeograph copy with program of premiere performance folded in
Typescript with manuscript emendations of poem "The Dark village"
Typescript with manuscript emendations of poem "The Dark village"
"Seven Variations" and "The Lions" in Pumpjack, No. 1, June 1966, pp. 12-14; two copies
"Seven Variations" and "The Lions" in Pumpjack, No. 1, June 1966, pp. 12-14; two copies
Loose-leaf typescript and manuscript versions of choric poems (generally of The Sorrowful Canadians period:-two typescript version of "all the days of my life I have offended the moon"-manuscript of "an excess of overkill"-three typescript versions of "answering service")-four typescript versions of "they inked in my intestines"-manuscript of "the ballad of northrop frye"-three typescript version of "the beautiful sea things with nineteen legs"-typescript of "because I do not hope to flower again"-typescript of "lines 1967" ("the belly of the dragon")-typescript of "lines January 1967" ("portrait of the artist during centennial year")-three versions of typescript over drawing "build one bomb and get two bombs"-manuscript of "A compassion for Irving Layton"-typescript of "construction" ("the aim of the man of action")-typescript of "construction" ("their breasts bulging")-typescript of "construction with driftwoods"-typescript of "construction with herring bones")-one manuscript and two typescript versions of
Loose-leaf typescript and manuscript versions of choric poems (generally of The Sorrowful Canadians period:-two typescript version of "all the days of my life I have offended the moon"-manuscript of "an excess of overkill"-three typescript versions of "answering service")-four typescript versions of "they inked in my intestines"-manuscript of "the ballad of northrop frye"-three typescript version of "the beautiful sea things with nineteen legs"-typescript of "because I do not hope to flower again"-typescript of "lines 1967" ("the belly of the dragon")-typescript of "lines January 1967" ("portrait of the artist during centennial year")-three versions of typescript over drawing "build one bomb and get two bombs"-manuscript of "A compassion for Irving Layton"-typescript of "construction" ("the aim of the man of action")-typescript of "construction" ("their breasts bulging")-typescript of "construction with driftwoods"-typescript of "construction with herring bones")-one manuscript and two typescript versions of
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Correspondence between Wilfred Watson (WW) and Marshall McLuhan (MM) continued (see note to Folder 106 above):-WW to MM; January 2, 1966; typescript carbon-MM to WW, January 3, 1966-MM to WW, January 4, 1966-MM to WW, January 7, 1966; and photocopy-MM to WW, January 16, 1966-MM to WW, January 17, 1966-MM to WW, January 19, 1966-EM to WW, January 20, 1966-WW to EM, January 21, 1966; typescript carbon-WW to MM, January 22, 1966; typescript carbon-MM to WW, January 27, 1966-MM to WW, January 28, 1966-MM to unidentified addressees, January 28, 1966; typescript carbon-WW to EM and MM, [February 1966]; typescript carbon-MM to WW, February 4, 1966-MM to WW, February 13, 1966-MM to WW, February 14, 1966-MM to WW, March 25, 1966-MM to WW, April 19, 1966-MM to WW June 1, 1966-MM to WW, June 2, 1966-MM to WW, June 15, 1966; typescript carbon-MM to WW, July 1, 1966-MM to WW, September 18, 1966-WW to MM, September 20, 1966-WW to MM, September 23, 1966; typescript carbon-MM to WW, September 29, 1966-MM to WW, October 27, 1
Two Teardrops frozen in the rear-view mirror (unpublished play) - Photocopy of typescript
Two Teardrops frozen in the rear-view mirror (unpublished play) - Photocopy of typescript
O holy ghost, dip your finger in the blood of Canada, and write, I love you" (Studio Theatre, 1967; published 1988) "O holy ghost" - photocopied typescript with some manuscript revision; original typescript and unpublished leaflet distributed at performance
O holy ghost, dip your finger in the blood of Canada, and write, I love you" (Studio Theatre, 1967; published 1988) "O holy ghost" - photocopied typescript with some manuscript revision; original typescript and unpublished leaflet distributed at performance
O holy ghost- typescript copy with manuscript revisions and rehearsal notes.
O holy ghost- typescript copy with manuscript revisions and rehearsal notes.
The Sorrowful Canadians and Other Poems - photocopied collection, including the following poems:-"lines 1964" ("the black mouth of the dog")-"poem summer 1967" ("the long sorrow")-"lines 1967" ("there will be no more money")-"lines summer 1967" ("I prepare my grave in quicksand")-"lines 1967" ("hanoi is here")-"lines January 1971 ("pour moi, j'ai retire mes pieds")-"poem 1970" (" my wild body is a corpse")-"Antigone aux salesmains"-"lines 1968" ("an excess of overkill")-lines winter 1971 ("the while pelican mountains")"the sorrowful Canadians"
The Sorrowful Canadians and Other Poems - photocopied collection, including the following poems:-"lines 1964" ("the black mouth of the dog")-"poem summer 1967" ("the long sorrow")-"lines 1967" ("there will be no more money")-"lines summer 1967" ("I prepare my grave in quicksand")-"lines 1967" ("hanoi is here")-"lines January 1971 ("pour moi, j'ai retire mes pieds")-"poem 1970" (" my wild body is a corpse")-"Antigone aux salesmains"-"lines 1968" ("an excess of overkill")-lines winter 1971 ("the while pelican mountains")"the sorrowful Canadians"
Poem for 2 rain drops frozen dead on the rear view mirror - typescript and carbon copy with some manuscript notations.
Poem for 2 rain drops frozen dead on the rear view mirror - typescript and carbon copy with some manuscript notations.
The Canadian Fact - typescript.
The Canadian Fact - typescript.
Pschodelic Satan - typescript-"A verse reading to commemorate the tercentenary of the publication of Milton's Paradise Lost (1667) For Gordon Peacock"
Pschodelic Satan - typescript-"A verse reading to commemorate the tercentenary of the publication of Milton's Paradise Lost (1667) For Gordon Peacock"
O holy ghost -"Rough Plan for a Passacaglia for a Wilderness etc"; nine examination booklets, twenty-five pages, and one envelope of manuscript drafts and drawings
O holy ghost -"Rough Plan for a Passacaglia for a Wilderness etc"; nine examination booklets, twenty-five pages, and one envelope of manuscript drafts and drawings
Thing in Black - mimeographed copy, pages with drawings
Thing in Black - mimeographed copy, pages with drawings
Thing in Black-mimeograph copy with some revisions pencilled in and marked "rehearsals 1967"-carbon copy of typescript designated "revised 1972"
Thing in Black-mimeograph copy with some revisions pencilled in and marked "rehearsals 1967"-carbon copy of typescript designated "revised 1972"
The Canadian Fact - mimeographed copy labelled "rough draft"
The Canadian Fact - mimeographed copy labelled "rough draft"
Two Teardrops frozen in the rear-view mirror - two versions of typescript for unpublished play, with performance notes.
Two Teardrops frozen in the rear-view mirror - two versions of typescript for unpublished play, with performance notes.