Collection PS 648 D55 - Dime Novel Collection

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Title and statement of responsibility area

Title proper

Dime Novel Collection

General material designation

    Parallel title

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    Title notes

    Level of description

    Collection

    Reference code

    PS 648 D55

    Edition area

    Edition statement

    Edition statement of responsibility

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Дата(ы)

    • 1886-1913 (Creation)

    Physical description area

    Physical description

    approx. 4 metres textual material (45 boxes, 762 files; plus 164 files shelved separately)

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Область архивного описания

    Имя автора

    Biographical history

    Introduced to American readers in 1860 by Irwin P. Beadle, the dime novel quickly grew in popularity, due to increased literacy rates, improved transportation systems, and mechanized, mass printing. England's version of the dime novel was the "penny dreadful", and these forms of paperback fiction, issued at regular intervals and priced at 10 cents an issue, were popular on both continents.

    The dime novels were intended for the youthful, working-class population, and some series were eventually priced at only 5 cents, so as to make the weekly purchase more affordable for the average reader--typically, an adolescent working-class boy.

    While the first dime novels contained extremely patriotic tales of Indians and pioneers, in the 1870s, different genres evolved, including detective stories, romances, urban outlaw tales, and "rags-to-riches" stories. The underlying theme of dime novel stories was that of sensationalism, and soon, the term "dime novel" came to apply to any fictional thriller released in serialised pamphlet form, regardless of the cover price. Well-respected authors' works were also reprinted in dime-novel format, including Jules Verne, Charles Dickens and Louisa M. Alcott, among others.

    The most prolific publishing houses in the dime novel business were Beadle and Adams, which issued 25 series of novels, Frank Tousey, who issued 30 series, and Street and Smith, issuing 50 series.

    The lurid cover illustrations were the novels' main selling point, along with familiar heroic characters featured in most series, usually having a catchy, alliterated name. Character development and continuity were secondary concerns to dime novel authors (of which there were many), and the practice of re-printing stories published in earlier dime novels was common. Many dime novel stories had also been previously published in the "story papers" that had been the choice of working-class readers before the introduction of the dime novel. The dime novel was meant solely as a light read, with enough action, suspense and heroic feats to keep the reader interested in buying the next issue. Today, they can provide us with unique insight into popular ideals and attitudes of late 19th and early 20th century America.

    They can also provide us with a thrilling read.

    Custodial history

    Scope and content

    The collection consists of a sampling of dime novels from ten novel series. Two series (the Deadwood Dick Library and Beadle's Frontier Series) are complete runs. A few issues have multiple copies. The detective story is the predominant genre in this collection, represented by significant holdings of issues from the Old Sleuth Library, the Nick Carter Library and the Secret Service series. Western adventure and romance stories are also well-represented in Beadle's Frontier Series. Despite the age and acidic paper of the dime novels, their condition ranges from Fair to Very Good, with the covers of only a few copies ripped, torn, or missing altogether. Novels are stored individually in 9 x 12 inch envelopes.

    Область заметок

    Физическое состояние

    Immediate source of acquisition

    Arrangement

    The dime novels are arranged by series title. Series are numbered and listed in ascending chronological order, based on the original publication date of each series. Individual files within each series are arranged in ascending chronological order, based on their publication date. The folder number coincides with the individual issue number; hence, the numbering is not consecutive.

    Arranged in 8 series:

    file list available for all series.

    Language of material

    • английский

    Script of material

    • Латиница

    Location of originals

    Availability of other formats

    Restrictions on access

    The materials in this collection are held in Bruce Peel Special Collections. We strongly recommend that researchers refer to https://bpsc.library.ualberta.ca/ for our hours of operation, and be attentive to periods of limited services. To request an appointment, please email us at bpsc@ualberta.ca well in advance, listing the requested materials, and we will accommodate your request accordingly.

    Terms governing use, reproduction, and publication

    Finding aids

    Associated materials

    Three series are shelved separately in Bruce Peel Special Collections.
    A copy of issue #36, along with a series description, is held in the Dime Novel Collection (Series 6).

    Related materials

    Accruals

    Альтернативный идентификатор(ы)

    Standard number

    Точки доступа

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    Name access points

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    Control area

    Description record identifier

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    Rules or conventions

    Статус

    Level of detail

    Dates of creation, revision and deletion

    July 19, 2005

    Language of description

      Script of description

        Sources

        Digital object (Master) rights area

        Digital object (Reference) rights area

        Digital object (Thumbnail) rights area

        Accession area